• The New Yorker

    What were Neil Young and Patti Smith up to at Book Expo America? http://nyr.kr/KHsVnp #Books #Literature #RockStar

  • Niklas Pivic

    Patti Smith and Neil Young at BookExpo America, June 2012.

More from this board

The Sketchbook Project is a collection of crowdsourced notebooks that is, according to its staff, the largest in the world. (Drawing by Lisa Foong, Courtesy The Sketchbook Project)

“Post-Internet” artists use the Web as the basis for their work but don’t make a big deal about it. We’re beginning to see a similar turn in poetry: nyr.kr/198X4KM (Photograph by Kevin Winter/NBC Universal/Getty)

Lee Siegel on Harper Lee’s second novel: “The worst that could happen would be for a mediocre ‘Watchman’ to make it seem that ‘Mockingbird’ was a fluke. In that case, ‘Mockingbird’ would be all the more remarkable.” nyr.kr/1vhqQkL (Photograph by Rob Carr/AP)

An illustration by Tom Gauld: nyr.kr/1xzISot

A new book on the "Star Wars" franchise reveals that Christopher Walken was originally cast as Han Solo and George Lucas studied briefly with Jean-Luc Godard. Joshua Rothman interviews the author. (Photograph via Everett)

A one-time-only archeology book club shares the specifics of their mysterious profession. (Photograph by Patrick Zachmann/Magnum)

New titles to look out for this month.

Nuruddin Farah discusses his work: “It is one thing to feel at home in a place; it is altogether another matter to set one’s fiction there.”

“Finding oneself beautiful when one is not: Is that not the next best thing to actually being beautiful?” Amanda Filipacchi reflects. (Photograph by Elliott Erwitt / Magnum)

"Certain lines we read, and reread, are like captions to the city—presentiments engraved into the asphalt." Valeria Luiselli looks at New York City from the inside out. (Photograph by Thomas Hoepker/Magnum)

“You hear the neighbors, know them, like them, or feud with them, but the default wish of every apartment dweller is to try to forget, whenever possible, that they exist.” Thomas Beller reflects on every Manhattan apartment's "Napoleon complex." (Photograph © Gail Albert-Halaban/Courtesy of Edwynn Houk Gallery)

In Elizabeth McKenzie's short story in this week's issue, a woman wakes up in a version of her childhood bedroom, but instead of her family, the house is populated by large beasts. The author discusses her inspiration.

A new entry in Henri Cole’s ongoing Paris Diary: “Each of us has a rose that must be nurtured. It is a symbol of the spirit in our bodies. ... Crudely stated, without it we are merely perfected corpses.”

A rare early translation of the book first titled “Camera Obscura” shows that Nabokov was indeed capable of writing a second-rate novel, John Colapinto writes.

Adelle Waldman defends a literary form: "Before we rush to condemn whole-hog the novel’s supposedly obsolete conventions ... we ought look at how they function and what they do well." (Illustration by Min Heo)

Tim Parks discusses his new short story: “Let’s say that the distance fiction allows ... enables me to meditate on experiences close to home, on characters like myself, like my father, without being swept away by them.”

"It is in the nature of waltzes that we cannot foretell their duration ahead of time. Waltzing to delirium, we might think that they never end. And then the music stops. It happened on Saturday for Strand, a great poet and a kind man." Dan Chiasson remembers the poet Mark Strand. (Photograph by Chris Felver / Getty)

On December 2nd, Christie's will auction off a copy of Don DeLillo's novel "Underworld" with more than 400 pages of annotations by the author. Take a look at a few of the notes, and read DeLillo's reflections on a “somewhat grudging experience” that turned into “several days of pure pleasure.” (Photograph courtesy the PEN American Center)

In Kenneth Goldsmith’s new creative-writing course, students can watch porn, visit nefarious right-wing sites, and troll celebrity Twitter feeds: “If it is on the Internet, it is fair play.” nyr.kr/1xzVicn (Illustration by Rachel Levit)

Hisham Matar on the writer Virginia Woolf: “All great writing is infected with silence, but it is very rare indeed to observe a master wielding that vacuum blankness of the unsaid with such elegant precision.” nyr.kr/1pMWrO5 (Photograph courtesy Heritage Images via Getty)

New fiction by Dave Eggers in this week's issue: “There is proud happiness, happiness born of doing admirable things in the light of day ... Then there is the happiness of one’s personal slum.” Read more: nyr.kr/1tThf4w

“The Empties” takes place three years from now, after a nationwide blackout. Author Jess Row discusses what inspired his short story: nyr.kr/1pQ7fVU (Photograph by Yasu + Junko)

From Part II of Gary Shteyngart’s book tour diary: “A young woman told me that fifty per cent of the authors she’s met have committed suicide. She mentioned two of my favorite writers. I feel nervous tonight.” nyr.kr/1tfgmVm (Illustration by Ping Zhu)

Dan Chiasson on Claudia Rankine’s latest: “Generally, in lyric poems, we expect the past to return with uncanny vividness in the changed context of the present. ... In ‘Citizen,’ the past has never receded in the first place.” nyr.kr/1sEKEyT (Illustration by Patrick Morgan / Reference from Margarita Corporan)

Like her husband, Sofiya Tolstoy criticized the sexual double standard, but she was far more sympathetic to women: nyr.kr/1yVyKpx (Photograph courtesy Popperfoto / Getty)