Reverse of amulet pendant, made in England, 1540-60. The settings of the stones on this pendant are open at the back to allow direct contact with the wearer’s skin so the perceived magical properties of the stones could thus benefit the wearer. Renaissance pendants were often made as amulets to protect against danger. Here, the power of the amulet is heightened by an inscription to ward off epilepsy and an invocation to God, Jesus, and Mary. - from the V&A
The Tudor Era - Amulet pendant, made in England, 1540-60
Renaissance Belief, Epilepsy, God Jesus, Jewels, Amulet Pendants, Historical Jewelry, Jewelry Ii, Stones, Renaissance Pendants
An english amulet charm dating from between 1540 to 1560. This gold charm set with precious stones carries a charm against epilepsy, as does the Middleham Jewel
Amulet pendant, made in England, 1540-60 (source). The settings of the stones on this pendant are open at the back. This allows direct contact with the wearer’s skin. According to medieval and Renaissance beliefs, the magical properties of the stones could thus benefit the wearer. Renaissance pendants were often made as amulets to protect against danger. Here, the power of the amulet is heightened by an inscription to ward off epilepsy and an invocation to God, Jesus and Mary.
Reliquary Pendant, Greece, 16th century
Emeralds, Amethysts, Reliquari Pendants, Date Mid 16Th Century, Crosses Reliquari, Pearls, Greece, Altars Reliquari, Century Materials Gold
Post-Byzantine (Serres, Greece) Date: mid-16th century Material: Gold, amethyst, emeralds, rubies, pearls, semiprecious stones, niello
c. 1560s Portrait of an Unknown Lady (possibly Anne Paget, Lady Sharington, d.1608) by Master of the Countess of Warwick (circle of) Anne Paget was the daughter of Grace Farrington and Robert Paget. Her mother's second husband was Sir William Sharington (c.1495–1553), who bought Lacock in 1540. Anne married her mother's brother-in-law Sir Henry Sharington (d.1581). National Trust, Lacock Abbey, Fox Talbot Museum and Village
1565 Master of the Countess of Warwick - Portrait of an Unknown Lady (possibly Anne Paget, Lady Sharington)
Lacock Abbey, Ladies Sharington, 16Th Century, Floral Embroidery, Unknown Ladies, Historical Costumes, Anne Paget, Paintings Portraits, Elizabethan Costumes
c. 1560s Portrait of an Unknown Lady (possibly Anne Paget, Lady Sharington, d.1608) by Master of the Countess of Warwick (circle of) National Trust, Lacock Abbey, Fox Talbot Museum and Village Wonderful floral embroidery on sleeves and partlet.
Unknown lady by Hans Eworth | Historical Costuming: 1550-1620 | Pinte…
PORTRAIT OF AN UNKNOWN LADY, 16th century, English [No 49] in the Short Lobby at Lacock Abbey, Wiltshire
Emilia Cauzzi Gonzaga (1524-1573) natural daughter of Federico II Gonzaga , V Marquess of Mantua and his lover Isabella Boschetti .  Some scholars attribute its authorship to Cauzzi Francesco Gonzaga, husband of Isabella.
Cauzzi Francesco, Francesco Gonzaga, The Heart, Isabella, Cauzzi Gonzaga, Gonzaga Families, Gonzaga 1524 1573, Kings, Emilia Cauzzi
1580 Scipione Pulzone or His Workshop (1550-1598) Portrait of a Young Woman
Historical Portraits, 16Th Century, Art, Accoramboni Orsini, Scipion Pulzon, Pulzon Gaeta, C 1575, Il Gaetano, Orsini 1557 85
Portrait of an unknown woman, possibly Vittoria Accoramboni Orsini (1557-85). By Scipione Pulzone, c. 1575.
Scipione Pulzone (Gaeta, c. 1542 or 1543 – February 1, 1598), also known as Il Gaetano - portrait of an unknown woman, c.1575 - possibly, Vittoria Accoramboni Orsini (1557-85). The flowers in her hair are wonderful.
Vittoria Accoramboni (1557-1585), an Italian noblewoman | Scipione Pulzone (16th century)
English Historical Fiction Authors: Seven Surprising Facts About Anne of Cleves
Color Facts, English Historical, Surprise Facts, Anne Of Cleves, Mary Boleyn, Fiction Author, Mary De, Historical Fiction, Buch2596Bjpg 450620
Mary Boleyn (?)
Elizabethan court dress
Renaissance Costumes, Elizabethan Court, Style, Cream Elizabethan, Court Costumes, Elizabethan Gowns, Court Dresses, Renaissance Dresses, Costumes Ideas
Medieval and Renaissance Dresses
Cream Elizabethan Court #Romantic Life Style
Cream Elizabethan Court Costume dress.
Cream Elizabethan Gown, 1570's
Cream Elizabethan court dress
Lady Eleanor (Brandon) Clifford, Countess of Cumberland. Niece of King Henry VIII. I love the gold edged ruff
Jane Cheyn, Clothing Tudorelizabethan, Families Probabl, Wentworth Families, Fashion Artworks, Art Institut, Elizabethan Costumes, Hans Eworth, Cheyneladi Wentworth
1563 Lady of the Wentworth Family, probably Jane Cheyne by Hans Eworth (Arts Institute of Chicago - Chicago, Illinois USA). Hans Eworth shows a mid-century English fashion of dark over-dresses with vee necklines and high collars over colorful chemisettes or under-garments. Her upper sleeves, that trail hanging sleeves beneath the elbows, look narrower than her lower sleeves. Her lower sleeves are somewhat full, then narrow to tight wrists and finish with gold-edged ruffles matching her ruff. She
Portrait of Albert VII, Archduke of Austria (1559-1621), wearing the robes of the Order of the Golden Fleece Studio of Frans Pourbus the Younger (1569-1622). This portrait shows Albert VII, fifth son of Emperor Maximilian II (1527-76) and Maria of Spain (1528-1603), and was probably painted soon after his investiture into the Order of the Golden Fleece in 1596
Oil On Canvas
CIRCLE OF FRANS POURBUS THE YOUNGER (1569-1622), Portrait of Albert VII, Archduke of Austria (1559-1621), wearing the robes of the Order of the Golden Fleece; oil on canvas; 18 ¼ x 24 in. (46.3cm x 61cm)
Date unknown - Portrait de femme by Jean PERREAL
A Mini-Saia Jeans, 16Th Century, French Artists, Black Dresses, Portraits De, Woman, Jeans Perreal, Jeans Perréal, Artists Jeans
Jean PERREAL Connu à Lyon à partir de 1483 - Lyon, 1530 Portrait de femme
16th century – 1st quarter | French Renaissance Costume
It's About Time: Women attributed to French artist Jean Perréal c 1451-c 1531
Silk Kirtle - Medieval and Renaissance.
Inspiration Costumes, Silk Kirtl, Historical Fashion, Historical Costumes, Character Fashion, 1600 Fashion, Maids Costumes, Tudor Gowns, Kirtl 15Th16Th
Silk Kirtle 15th/16th Century
Pink sottana with high collared zimarra similar to the extant one Parrasio Micheli 1565 Portrait of a Woman Genoa, Palazzo Rosso realmofvenus.rena...
15Th 16Th Century, Italian Renaissance, Women 1565, Art, C16Th C17Th Overgowns, Ladies 1565, Portraits, Parrasio Mich, Renaissance Ladies
Parrasio Micheli, Portrait of a Lady, 1565, Genoa, Palazzo Rosso
Parrasio Micheli (active 1547-d. 1578) Portrait of a Woman 1565
Cecily Heron nee More, daughter of Sir Thomas More, Lord Chancellor of England by Hans Holbein the Younger
Sir Thomas, Youngest Daughters, Historical Costumes, Art Drawings, Hans Holbein, Tudor Costumes, Families Trees, Families Portraits, Cecili Heron
Hans Holbein the Younger - Cicely Heron b.1507 - Sir Thomas More's youngest daughter
Cecily Heron; daughter of Sir Thomas More, Lord Chancellor of England. By Hans Holbein the Younger.
Cecily Moor,, drawing by Hans Holbein the Younger 1526/7, in which she is pregnant.. Cecily More was the daughter of Sir Thomas More and Jane Colte She is best known for having been given an unusually fine education and for her presence in various More family portraits. In 1525, Cecily married Giles Heron who, like her father, was executed for treason, and they had three children: Thomas, John, and Alice.
A sketch of John More, Sir Thomas More's son. By Hans Holbein the Younger.
Master Drawings, Sir Thomas, Sons, John, Hans Holbein, 6Th Cousins, Holbein Theyoung, Portraits, Photo
Thomas More's son, John More II. His wife was my 6th cousin 14 times removed.
John More the Younger by Hans Holbein theYounger
Portrait study of John More II.- Black and coloured chalks on paper, 38.1 × 28.1 cm, Royal Collection, Windsor. John More (1508–47) was Sir Thomas More's only son. This drawing is one of seven fine surviving studies drawn by Holbein for his group portrait of Thomas More's family. In the family portrait, John More stands, hatless, near his betrothed, Anne Cresacre, whom Holbein also sketched. Date c. 1527 Source Christian Müller; Stephan Kemperdick; Maryan Ainsworth; et al, Hans Holbein the Younger: The Basel Years, 1515–1532, Munich: Prestel, 2006, Author Hans Holbein the Younger (1498–1543)
Margaret Wyatt,age 34, (1506-1543 ?) sister of Sir Thomas Wyatt, favorite companion of Anne Boleyn,by Hans Holbein
Everything Tudor, Tudor Dynasty, Tudor Era, Tudor Life, Tudor Time, Thomas Wyatt, Plantangenet Tudor, Renaissance Portraits, Margaret Wyatt Ag
Margaret Lee by Hans Holbein, sister of the poet Sir Thomas Wyatt
Sir Thomas More, c.1527. Hans Holbein, the Younger. Frick Collection
Saint Thomas, Sir Thomas, Hans Holbein, King Henry Viii, Hansholbein, New York, Portraits, Catholic Church, Art Projects
This "Collar of Esses" was used first in "The Tudors" and then again in "The Hollow Crown." It is a reproduction from the famous Hans Holbein portrait of Sir Thomas More. #TheTudors #ThomasMore #TheHollowCrown #JeremyNortham #HansHolbein #Costume
Hans Holbein Sir Thomas More - Google Art Project
Sir Thomas More, also called Saint Thomas More (born February 7, 1478, London, England—died July 6, 1535, London; canonized May 19, 1935; feast day June 22), English humanist and statesman, chancellor of England (1529–32), who was beheaded for refusing to accept King Henry VIII as head of the Church of England. He is recognized as a saint by the Roman Catholic Church. # Portrait of Thomas More(1527) by Hans Holbein the Younger
Sir Thomas More 1527 Tempera on wood, 74,2 x 59 cm Frick Collection, New York Sir Thomas More (1477-1535) was humanist and statesman, chancellor of England (1529-32), who was beheaded for refusing to accept King Henry VIII as head of the Church of England. He is recognized as a saint by the Roman Catholic church. He was the most important patron of Holbein during his first stay in London. When this portrait was painted in 1527, More held the office of Chancellor of the Duchy of Lancaster.
Sir Henry Wyatt, father of Thomas Wyatt, by Hans Holbein the Younger
Historical Portraits, Portraits Galas, High Offices, Henry Viii, Henry Wyatt, Hans Holbein, Sir Henry, Holbein Hans, Thomas Wyatt
Sir Henry Wyatt (1460-1537) He was appointed to the Privy Council in 1509, achieved high offices, was one of Henry VII's executors and one of henry VIII's guardians. In 1511, was made constable of Norwich Castle jointly with Sir Thomas Boleyn. His principal residence was Allington Castle. His son was Thomas Wyatt who had a romantic relationship with Anne Boleyn and was a co-accused as one of her lovers in 1536, but released from the Tower. His daughter, Anne, accompanied Anne to her execution.
Sir Henry Wyatt, father of Thomas Wyatt, by Hans Holbein the Younger. My 14th great grandfather.
Oct. 11, 1542 death of Thomas Wyatt-A Description of Such a One As He Would Love BY SIR THOMAS WYATT A face that should content me wondrous well Should not be fair but lovely to behold, With gladsome cheer all grief for to expel; With sober looks so would I that it should Speak without words such words as none can tell; Her tress also should be of crisped gold; With wit; and thus might chance I might be tied, And knit again the knot that should not slide.
Queen Anne, Towers Of London, 1542 Thomas, Sir Thomas, Anne Boleyn, Shorts Biographies, Thomas Wyatt, English Poets, Wyatt 1503 1542
Sir Thomas Wyatt (1503-1542) by Hans Holbein: Short biography
6th October 1542 Thomas Wyatt, the English Poet and a lover of Anne Boleyn, dies. http://www.luminarium.org/renlit/wyattbio.htm
Sir Thomas Wyatt, suspected of being one of Queen Anne Boleyn's lover and imprisoned in the Tower of London, but later released
German Style, 1468-1588, Barbara Radziwill by Lucas Cranach the Younger,1565 I am fascinated by this beautiful gown and headdress!
16Th Century, Barbara Radziwiłł C, Century German, 18Th Century, Art Textiles, Barbara Radziwill, Younger Barbara, Barbara Dradziwillovna, Lucas Cranach
❤ - LUCAS CRANACH (1472 - 1553) - Portrait of Barbara Radziwill. National Museum, Kraków.Lucas Cranach the Younger - Barbara Radziwiłł (c. 1565).
Lucas Cranach The Younger, Barbara Dradziwillovna, Queen of Poland
Working Women's Tudor Clothing
Extreme Costumes, Elizabethan Hairstyles, Forehead Clothing, Tudor Coif, Headwear, Elizabethan Coif, Tudor Clothing, Headpieces, Poke Bonnets
Extreme Costuming Elizabethan coif
Elizabethan coif and forehead cloth
Working Women's Tudor Clothing. Coif with headpiece underneath
How to wear a Tudor coif - Debunking the two-part coif and showing how to wear a one-piece coif securely.
Elizabethan hairstyle & coif article
Schiava Turca, 16Th Century, Turkish Slave, Frick Collection, Young Women, La Schiava, Parmigianinoa Turkish, Parmigianino Schiava, Laschiava
Parmigianino, Turkish Slave, 1533. Portrait of a Young Woman, or in Italian: Schiava turca
“Schiava Turca,” a Parmigianino work from the 16th century, will hang at the Frick Collection. Credit Scala/Art Resource, N.Y. Hand Fan!
"The Poetry of Parmigianino’s Schiava Turca” | The Frick Collection | Exhibitions | Time Out New York
Gorgeous! "Schiava Turca" or "Turkish Slave" was, as The Wall Street Journal says, "rashly" catalogued. The mysterious and beautiful Italian subject was not a slave, but more likely a woman wearing the current fashions of her day from the courts of Northern Italy. The artist is Parmigianino. Currently on display at the Frick Collection through July 20, 2014. File:Parmigianino - La schiava turca.jpg
Sigismund von Dietrichstein by Hans Maler,c. 1515
Von Dietrichstein, 1500 1520, Austrian, Maler Von, Century German, 1500 1600, Clothing Male, Hans Maler, 15 16Th Century
Hans Maler von schwaz - Ritratto di sigismondo von dietrichstein 1515
16Th Century, Italian Renaissance, Bartolommeo Veneto, Ladies Bartolomeo, Di Gentildonna, Young Ladies, National Galleries, Bartolomeo Veneto, Portrait
"Ritratto Di Gentildonna" (Portrait of a Gentlewoman) - Bartolomeo Veneto - early 16th century
Bartolommeo Veneto (1470–1531). Ritratto Di Gentildonna
Bartolomeo Veneto (Italian 1470–1531) [Renaissance] Ritratto Di Gentildonna, National Gallery of Canada.
Portrait of a Young Lady Bartolomeo Veneto c. 1520-1530
1525-1535 Francucci Innocenzo - Portrait of a woman