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Saint George Carlo Crivelli (Italian, Venice (?), active by 1457–died 1493 Ascoli Piceno)

Francisco de Zurbarán (Spanish, 1598–1664). The Battle between Christians and Moors at El Sotillo, ca. 1637–39. The Metropolitan Museum of Art, New York. Kretschmar Fund, 1920 (20.104) | n 1370 the Spanish forces were saved from a night ambush when a miraculous light revealed the hidden Moorish troops. #horses

Panel of Australiana motifs, former South Yarra Post Office, 162 Toorak Road, South Yarra. Designed: AJ MacDonald, Public Works Department. Erected:1892-3. Victorian Period (1851-1901) . American Romanesque Style.

Girolamo dai Libri (Italian, 1474–1555). Madonna and Child with Saints, ca. 1520. The Metropolitan Museum of Art, New York. Fletcher Fund, 1920 (20.92) #peacock

Halberstadt, Sachsen-Anhalt, Dom, Marian painting

The Beggar Who Professed His Love for a Prince: Folio from the Mantiq al-tair (Language of the Birds) of Farid al-Din Attar, dated A.H. 892 / A.D. 1487. Afghanistan. The Metropolitan Museum of Art, New York. Fletcher Fund, 1963 (63.210.28)

Acrobats, 1949, Bronze, William King

Gerard David (Netherlandish, ca. 1455–1523). Virgin and Child with Four Angels, ca. 1510–15. The Metropolitan Museum of Art, New York. Gift of Mr. and Mrs. Charles Wrightsman, 1977 (1977.1.1)

Nizami (Ilyas Abu Muhammad Nizam al-Din of Ganja) (probably 1141–1217)."Laila and Majnun in School", Folio from a Khamsa (Quintet) of Nizami, A.H. 931/A.D. 1524–25. The Metropolitan Museum of Art, New York. Gift of Alexander Smith Cochran, 1913 (13.228.7.7) | One of the best-known stories of Nizami’s Khamsa is that of Laila and Majnun, a tale akin to that of the star-crossed lovers Romeo and Juliet. This folio illustrates their meeting at the school where they fall in love at first sight.

Portrait of a thin-faced, bearded man, A.D. 160–180. Egyptian. The Metropolitan Museum of Art, New York. Rogers Fund, 1909 (09.181.1) #mustache #movember