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    John Constable, 1821, The Hay Wain. Romanticism

    Archip Kuindshi, Night on the Dnieper River 1882.

    Wassily Kandinsky Der Blaue Reiter 1903.

    Henri Matisse, Landscape at Collioure, 1905, Museum of Modern Art, New York City.

    Ivan Shishkin, Rain in an Oak Forest, 1891, Russian Landscape painter.

    Joachim Patinir (1480-1524), Charon crossing the Styx, 1515-1524, oil on wood, Prado. He was a Flemish Northern Renaissance history and landscape painter, influenced by Hieronymous Bosch.

    Albrecht Altdorfer (c.1480-1538), Danube landscape near Regensburg c. 1528, one of the earliest Western pure landscapes. He was the leader of the Danube School in southern Germany.

    Ernst Ludwig Kirchner, Naked Playing People, 1910.

    Henri Rousseau, The Dream, 1910, Museum of Modern Art, New York

    Milton Avery, Green Sea 1958, a painting at lands end.

    Richard Diebenkorn, Cityscape I,(Landscape No. 1), 1963, San Francisco Museum of Modern Art.

    Jane Frank (1918-1986), Aerial Series: Dorado no. 2, 1970: An example of aerial landscape art, with no horizon and no sky.

    Edward Hopper, Road in Maine, 1914.

    El Greco, View of Toledo c. 1596–1600, oil on canvas, 47.75 × 42.75 cm, Metropolitan Museum of Art, New York, is one of the two surviving landscapes of Toledo painted by him. The aggressive paint handling in the sky prefigures 20th century Expressionism.

    Claude Monet, Branch of the Seine near Giverny, 1897.

    Frederic Edwin Church, The Heart of the Andes, 1859. Church was part of the American Hudson River School.

    Paul Cézanne, Mont Sainte-Victoire, 1882-1885, Metropolitan Museum of Art. Post-Impressionism

    Isaac Levitan, Above Eternal Peace, 1894.

    Camille Pissarro, Lordship Lane Station, c. 1870. Impressionism

    Jean-Baptiste-Camille Corot, c. 1867, Ville d’Avray National Gallery of Art, Washington, DC.. Barbizon school

    Caspar David Friedrich, Wanderer above the Sea of Fog, 1818. A classic image of German Romanticism.

    Pieter Brueghel the Elder, The Harvesters, 1565: Peace and agriculture in a pre-Romantic ideal landscape, without sublime terrors

    Themistokles von Eckenbrecher (German, 1842–1921), View of Laerdalsoren, on the Sognefjord, 1901