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‘When one paints a classic oil painting and has  to drag the colours into the shade, using black is not always useful. The nuances you create must consist of a meeting between tones'

‘When one paints a classic oil painting and has to drag the colours into the shade, using black is not always useful. The nuances you create must consist of a meeting between tones'

NIDO col. 022 by Dedar - This chevron motif is presented on the softest of linens. The use of twisted yarns removes the coarse prickly feel of linen, leaving it pleasingly soft.

NIDO col. 022 by Dedar - This chevron motif is presented on the softest of linens. The use of twisted yarns removes the coarse prickly feel of linen, leaving it pleasingly soft.

Greek Islands Shawl A blend of wool and linen with a crinkled texture. This shawl has two panels joined together, with fringe, and one small turquoise bead to ward off the evil eye.

Greek Islands Shawl A blend of wool and linen with a crinkled texture. This shawl has two panels joined together, with fringe, and one small turquoise bead to ward off the evil eye.

'No Mans Land', (detail)  Sue Lawty  2004  Linen, raphia, hemp, cotton with Bazaart pinned with Bazaart

'No Mans Land', (detail) Sue Lawty 2004 Linen, raphia, hemp, cotton with Bazaart pinned with Bazaart

Patricia Urquiola has developed Daybreak, a unicoloured curtain textile with a natural expression. Daybreak has an open structure and tactile irregularities that play across its surface. This gives the curtain a look that is reminiscent of linen.

Patricia Urquiola has developed Daybreak, a unicoloured curtain textile with a natural expression. Daybreak has an open structure and tactile irregularities that play across its surface. This gives the curtain a look that is reminiscent of linen.

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