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"The moment you can visualize being free from the things that hold you back, you have indeed begun to set yourself free."---Unknown    Sculpture by: Zenos Frudakis "Freedom"     http://zenosfrudakis.com/sculptures/public/Freedom.html

"The moment you can visualize being free from the things that hold you back, you have indeed begun to set yourself free."---Unknown Sculpture by: Zenos Frudakis "Freedom" http://zenosfrudakis.com/sculptures/public/Freedom.html

Initially of all,we are expected to impart about his relieving color gleam lipstick as this one is truly hot among all women in nowadays. In fact,the manner pattern of shine lipstick really developed with it.

Initially of all,we are expected to impart about his relieving color gleam lipstick as this one is truly hot among all women in nowadays. In fact,the manner pattern of shine lipstick really developed with it.

Goldfish Salvation Project by Riusuke Fukahori    http://abduzeedo.com/goldfish-salvation-project-riusuke-fukahori

Goldfish Salvation Project by Riusuke Fukahori http://abduzeedo.com/goldfish-salvation-project-riusuke-fukahori

Bedroom | Rustic mid-century Chicago cottage | House Tours | PHOTO GALLERY | Livingetc | Housetohome

Bedroom | Rustic mid-century Chicago cottage | House Tours | PHOTO GALLERY | Livingetc | Housetohome

Between youth and old age spans an infinite universe.                   Chasm, pencil, by Armin Mersmann

Between youth and old age spans an infinite universe. Chasm, pencil, by Armin Mersmann

John Stezaker’s collages: maximum resonance with limited means: Observatory: Design Observer    I’m looking for the sublime, in many ways. And I think that the uncanny is a miniature version of that.   John Stezaker from “Demand the Impossible,” interview by Michael Bracewell, Frieze, March 2005

John Stezaker’s collages: maximum resonance with limited means: Observatory: Design Observer I’m looking for the sublime, in many ways. And I think that the uncanny is a miniature version of that. John Stezaker from “Demand the Impossible,” interview by Michael Bracewell, Frieze, March 2005

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