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Edouard Manet The Conservatory 1879 Oil on canvas 45x59in Nationalgalerie, Berlin ___ Manet preferred compositions with two figures as opposed to the straightforward portrait form because it opened up the possibility of interesting dialogue situations. The double portrait of Jules Guillemet and his wife, painted in the conservatory of the painter Johann Georges Otto Rosen, is one of the most important of these works because of the sensitivity with which it uses the most delicate nuances of ...
Édouard Manet In the Conservatory, 1879, oil on canvas, 115 × 150 cm, The Alte Nationalgalerie, Berlin.
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