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Peter Schuyff, 'Untitled,' 1986, Sorry We're Closed oil on canvas

From Sorry We're Closed, Peter Schuyff, Untitled Oil on Canvas, 77 × 77 in

Jackie Gendel’s almost abstract chorus line of colorful figures appears chicly modern and homespun at the same time, recalling Gino Severini’s 1912 Futurist nightclub dancers but looking as if sewn together from fabric, an attractive and disarming effect achieved by painting in oil on vinyl. (At Thomas Erben Gallery through Oct 29th). Jackie Gendel, As of yet untitled, oil and vinyl on linen, 40 x 30 inches, 2016.

Jackie Gendel’s almost abstract chorus line of colorful figures appears chicly modern and homespun at the same time, recalling Gino Severini’s 1912 Futurist nightclub dancers but looking as if sewn together from fabric, an attractive and disarming effect achieved by painting in oil on vinyl. (At Thomas Erben Gallery through Oct 29th). Jackie Gendel, As of yet untitled, oil and vinyl on linen, 40 x 30 inches, 2016.

Peter Schuyff

From Sorry We're Closed, Peter Schuyff, Untitled Oil on Canvas, 77 × 77 in

SCOTTBERGEYART - newyorkarttours:  Angel Otero at Lehmann Maupin...

Angel Otero Using skins of dried, peeled paint as a collage material, Angel Otero adheres color to his canvas in fleshy pinks and mustard yellows that recall deKooning’s sensuous Pink Angels tempered.

SANFORD BIGGERS - Artists - Marianne Boesky

SANFORD BIGGERS - Artists - Marianne Boesky

Is Lamar Peterson sick of painting? As he clutches his stomach in apparent discomfort in this tongue-in-cheek self-portrait, the artist appears to have taken in too much from the dishes of paint littering his bed. His sheets navigate the borders between hard-edge abstraction and messy representation, creating an amusing portrait of the artist uncomfortably inhabiting both styles. (At Chelsea’s Fredericks & Freiser Gallery through March 14th.)Lamar Peterson, Satin Sheets, oil on canvas, 85…

Is Lamar Peterson sick of painting? As he clutches his stomach in apparent discomfort in this tongue-in-cheek self-portrait, the artist appears to have taken in too much from the dishes of paint littering his bed. His sheets navigate the borders between hard-edge abstraction and messy representation, creating an amusing portrait of the artist uncomfortably inhabiting both styles. (At Chelsea’s Fredericks & Freiser Gallery through March 14th.)Lamar Peterson, Satin Sheets, oil on canvas, 85…

Peter Schuyff, Untitled, 1985

Peter Schuyff, Untitled, 1985

Alicia Gibson’s charmingly messy abstraction revels in the possibilities of nail decoration and personal expression in ‘Nail Polishing Club remix.’ Gumdrops, hats and very celebratory tombstones come to mind in this riotous appreciation of a female art. (In ‘X’ at Lyles & King Gallery through Aug 12th). Alicia Gibson, Nail Polishing Club remix, oil, ink, spray paint, and burlap on canvas, 60 x 48 inches, 2016.

Alicia Gibson’s charmingly messy abstraction revels in the possibilities of nail…

diedrick brackens

Impermanence, decoration, and rehabilitation are some of the concepts I think about. The objects we make and the things we do to them mirror our bodies, and my work actively thinks about this relation

Overpainted Painting by Peter Schuyff

Bid now on Overpainted Painting by Peter Schuyff. View a wide Variety of artworks by Peter Schuyff, now available for sale on artnet Auctions.

Peter Schuyff, 2006

Creation Date: 2006

Peter Schuyff (1956-) Self Portrait 1984 (228,6 by 167,3 cm)

Peter Schuyff (1956-) Self Portrait 1984 (228,6 by 167,3 cm)

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