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Surreal Art, Outsider Art, Abstract Art, Beaux Arts, Surrealism, Surrealism Art, Surreal Artwork

Konstmuseet, The Museum Of Art, GOTHENBURG, Sweden - For art lovers this museum offers the world’s finest collection of late 19th century Nordic art. The museum also houses older and contemporary art, both Nordic and international - via konstmuseum.goteborg.se

Top 10 Places To Visit In Gothenburg

Konstmuseet, The Museum Of Art, GOTHENBURG, Sweden - For art lovers this museum offers the world’s finest collection of late century Nordic art. The museum also houses older and contemporary art, both Nordic and international - via konstmuseum.

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Fabienne Verdier — À propos

Born in Paris in Fabienne Verdier graduated from the Toulouse Ecole des Beaux-Arts in In the same year, she obtained the first Chinese study grant under the twinning arrangement…

Surrealist Sculptures by Ellen Jewett Merge Plant and Animal Life  http://www.thisiscolossal.com/2015/03/surrealist-sculptures-by-ellen-jewett-merge-plant-and-animal-life/

Surrealist Sculptures by Ellen Jewett Merge Plant and Animal Life

Surrealist Sculptures by Ellen Jewett Merge Plant and Animal LifeArtist Ellen Jewett refers to her sculptural work as “natural history surrealist sculpture,” a blend of plants, animals, and.

René Magritte at the ‘Académie des Beaux-Arts’, Brussel, 1918 -nd  from: Patrick Roegiers, Magritte et la photographie, Gand-Amsterdam, Ludion, 2005

René Magritte at the ‘Académie des Beaux-Arts’, Brussel, 1918 from: Patrick Roegiers

Paul Klee.  Art Experience NYC  www.artexperiencenyc.com/social_login/?utm_source=pinterest_medium=pins_content=pinterest_pins_campaign=pinterest_initial

Paul Klee 'Uhrpflanzen' (Typically translated as 'Watch Plants' but the word also has a meaning more akin to primordial plants or ancient plants) 1924 Oil transfer and watercolor on paper and board 46 x cm

9 Habits Of Boring People And How To Be More Interesting

9 Habits Of Boring People And How To Be More Interesting

“Lara Zankoul Photography invites viewers to suspend disbelief with her photos of subaquatic home life, which she shot in a water tank outfitted like a…”

“Though my soul may set in darkness, it will rise in perfect light; I have loved the stars too fondly to be fearful of the night” -Sarah Williams

"Though my soul may set in darkness, it will rise in perfect light; I have loved the stars too fondly to be fearful of the night." A little doodle by Charlie-Bowater for one the most beautiful lines from any poem, The Old Astronomer by Sarah Williams.

1942 Bouteille peinte (deux hommes en conversation) Huile sur bouteille en verre Dimensions : hauteur : 28 ; diam. 8,5 Origine : Peint pour et à la demande de Louis Scutenaire et Irène Hamoir. Legs de Mme Irène Scutenaire-Hamoir, Bruxelles, 1996 Musées royaux des Beaux-Arts de Belgique, Bruxelles

1942 Bouteille peinte (deux hommes en conversation) Huile sur bouteille en verre Dimensions : hauteur : 28 ; diam. 8,5 Origine : Peint pour et à la demande de Louis Scutenaire et Irène Hamoir. Legs de Mme Irène Scutenaire-Hamoir, Bruxelles, 1996 Musées royaux des Beaux-Arts de Belgique, Bruxelles

Ellen Jewett makes incredible sculpture which may find its origins between mythical children’s books and horror stories. Her animals are elegant and meditative, but appear to be dissipating before our eyes.  Jewett is inspired by her rich background including experience in anthropology, medical illustration, and exotic animal care. These passions are seen clearly in her devotion to biology, peacefully dissecting her characters and merging them with their natural environments.

Mystical animal sculptures balancing peace and chaos

Musée des Beaux-Arts de Bruxelles, Jérôme Bosch, détail du triptyque de la tentation de saint Antoine. Antoine vivait en ermite dans le désert égyptien où il était harcelé par des diables et des démons. Ils incarnent l’ivrognerie, la gloutonne

Musée des Beaux-Arts de Bruxelles, Jérôme Bosch, détail du triptyque de la tentation de saint Antoine. Antoine vivait en ermite dans le désert égyptien où il était harcelé par des diables et des démons. Ils incarnent l’ivrognerie, la gloutonne

William Van Alen (dressed as the Chrysler Building) with a fellow party guest at the 1931 Beaux-Arts Architects Ball.

William Van Alen (dressed as the Chrysler Building) with a fellow party guest at the 1931 Beaux Arts Architects Ball. See NY Times article "A New Age of Architecture Ushered in Financial Gloom".

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