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Photo of Cecil Beaton for fans of Fashion Photography. Photographs by photographer Cecil Beaton

Photo of Cecil Beaton for fans of Fashion Photography. Photographs by photographer Cecil Beaton

Chic Performer | | #NancyCunard (1896-1965) in un mitico ritratto di #CecilBeaton. Maliarda e impegnata attivista e totem estetico è diventata lesponente di un esotismo sofisticato e molto pensante  #MClikes_IconeDiStile #MClikes #MClikestimeless #Womansday #8marzo #Festadelladonna #Chic #FashionVintage Foto: Cecil Beaton #CameraPress Contrasto  via MARIE CLAIRE ITALIA MAGAZINE OFFICIAL INSTAGRAM - Celebrity  Fashion  Haute Couture  Advertising  Culture  Beauty  Editorial Photography…

Chic Performer | | #NancyCunard (1896-1965) in un mitico ritratto di #CecilBeaton. Maliarda e impegnata attivista e totem estetico è diventata lesponente di un esotismo sofisticato e molto pensante #MClikes_IconeDiStile #MClikes #MClikestimeless #Womansday #8marzo #Festadelladonna #Chic #FashionVintage Foto: Cecil Beaton #CameraPress Contrasto via MARIE CLAIRE ITALIA MAGAZINE OFFICIAL INSTAGRAM - Celebrity Fashion Haute Couture Advertising Culture Beauty Editorial Photography…

Cecil Beaton, 1922.Cecil Beaton was part of the group in England called The Bright Young Things, a group of both privileged upper class aristocrats and their artistic muses. His photos document this time when the young rebelled for the first time

Cecil Beaton, 1922.Cecil Beaton was part of the group in England called The Bright Young Things, a group of both privileged upper class aristocrats and their artistic muses. His photos document this time when the young rebelled for the first time

Charles James with a model, 1948. Photograph by Cecil Beaton for Vogue, courtesy of The Metropolitan Museum of Art.

Charles James with a model, 1948. Photograph by Cecil Beaton for Vogue, courtesy of The Metropolitan Museum of Art.

The Countess of Pembroke (Claire) in the Double Cube Room, Wilton House, October 1971

The Countess of Pembroke (Claire) in the Double Cube Room, Wilton House, October 1971

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