Antique Tourmaline and Pearl Necklace. The curvaceous open design of this sweet and petite early-twentieth century pendant is studded with tiny seed pearls and features a slender green tourmaline baguette and a freshwater pearl dangle. 1 7/16 inches, the new chain measures 16 inches.

Antique Tourmaline and Pearl Necklace. The curvaceous open design of this sweet and petite early-twentieth century pendant is studded with tiny seed pearls and features a slender green tourmaline baguette and a freshwater pearl dangle. 1 7/16 inches, the new chain measures 16 inches.

Amethyst and Seed Pearl Necklace. Delicate and elegant describe this articulated 14k yellow gold Arts and Crafts pendant, circa 1900, featuring pastel lilac tone amethysts accented with small luminescent seed pearls. The pendant measures 1 5/8 inch in length and 1/4 inch in width. Suspended from a 16 inch open link chain, a perfect balance for this unique jewel.

Amethyst and Seed Pearl Necklace. Delicate and elegant describe this articulated 14k yellow gold Arts and Crafts pendant, circa 1900, featuring pastel lilac tone amethysts accented with small luminescent seed pearls. The pendant measures 1 5/8 inch in length and 1/4 inch in width. Suspended from a 16 inch open link chain, a perfect balance for this unique jewel.

Art Nouveau 9 ct. gold pendant and chain with a delicate openwork design, decorated with seed pearls of varying sizes.

Art Nouveau 9 ct. gold pendant and chain with a delicate openwork design, decorated with seed pearls of varying sizes.

A late Victorian/Edwardian seed pearl fringe necklace The graduated fringe with three flowerhead accents, to a pearl set back chain, with a central detachable flower head drop, necklace length 40.5cm.

A late Victorian/Edwardian seed pearl fringe necklace The graduated fringe with three flowerhead accents, to a pearl set back chain, with a central detachable flower head drop, necklace length 40.5cm.

Classic renaissance beauty. Amulet, England, ca. 1540-1560. This pendant of enameled gold, garnet, peridot, and sapphire has a open-backed setting to allow the stones direct contact with the wearer’s skin—for very good reason. The alleged healing properties of these specifically-chosen stones and the inscription in the setting were thought to protect the wearer from epilepsy. Source: Victoria and Albert Museum

Pendant

Classic renaissance beauty. Amulet, England, ca. 1540-1560. This pendant of enameled gold, garnet, peridot, and sapphire has a open-backed setting to allow the stones direct contact with the wearer’s skin—for very good reason. The alleged healing properties of these specifically-chosen stones and the inscription in the setting were thought to protect the wearer from epilepsy. Source: Victoria and Albert Museum

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