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Though her work is ostensibly self-involved, its true interests seem formal (investigating the properties of light, playing with framing), epistemological (how does a body relate to the space around it?), or art historical (what happens when a nude woman is both the subject and the object of a work?). And so, though we look to the photographs for clues to the mystery of her suicide, we’ll never find them. Woodman’s art does not answer the questions raised by her life

<div class="title_year">Untitled (from Swan Song series), Providence, Rhode Island, 1978 (BFA.07)</div><div class="medium_dimensions">Estate digital c-print, 110.2 x 114.3 cm 43 3/8 x 45 in</div>