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    • Gyles Willis

      Italian Renaissance: Many woman wearing a chemise with an over dress over it, Earlier part of the century as the gowns are houppeland style

    • Margaret Menzies

      By an Italian Master 1500's the women's day dress second to left looks like one of mine.

    • Gigi Coulson

      "The Betrothal" ca. 1470. Inspiration for my blue and red velvet dresses.

    • Julia Dalton

      "The Betrothal", ca. 1470, by an unknown Italian artist.

    • Marina Skrinjik

      Young Italian men wear brimless caps, The Betrothal, c. 1470

    • Pauline Courtenay

      Italian fashion, 1470–1500_in_fashion

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    Belt of noble lady from end of 15th century, silk decorated by silver rose with Czech garnet

    1470-71. Verificación de la cruz de Cristo, Museo de Santa Eulalia, Paredes de Nava (detalle) Verification of the Cross of Christ

    Phyllis, fille d'un roi thrace, écrivant. Miniature extraite des Héroïdes d'Ovide (traduction d'Octavien de Saint-Gelais, 1496-1498).

    Ludovica Tournabuoni in Domenico Ghirlandaio's Birth of the Virgin from the 1480s

    Triptych of the Family Moreel (right wing detail) 1484 by Hans Memling

    - OPUS INCERTUM -: EL BRIAL 1480. Las tentaciones de San Antonio, subasta (detalle) detail of the temptations of St. Anthony

    ▴ Artistic Accessories ▴ clothes, jewelry, hats in art - Carlo Crivelli | Maria Magdalena, 1480

    'Meeting between the Queen of Sheba and King Solomon', (detail) 1452-66. Fresco by Piero della Francesca

    Epistulae Heroidum, Dejanira dona a suo marito Ercole la tunica intrisa di sangue del centauro Nesso, 1496-98, miniature, Bibliothèque nationale de France (BNF).

    LUCAS CRANACH (1472 - 1553) - St Catherine Altarpiece - 1506. Right wing: The Saint Barbara, Ursula and Margaret. The triptych is located in the Galerie Alte Meister in Dresden, the Reverses of shutters are located since 1987 at the National Gallery in London.

    A Lover Addressing Three Ladies Poems of Charles of Orléans and other works Unknown illuminator c. 1490-1500. Via

    Hairnet, beginning of 16th century, Linz Museum. n early 16th century hairnet from Linz. The black and white photo shows one side of a hairnet that appears to have been done with a decorative netting technique (mezza mandolina) of large and small diamonds.

    The Venetian Look in the Carpaccio Era (pre 1500 to 1510), Page Two - Venus' Wardrobe

    "The Betrothal", ca. 1470, by an unknown Italian artist.

    Pink giornea with oak leaf dagging on the back seam. Domenico Ghirlandaio (Italian artist, 1449–1494) Detail from Birth of St John the Baptist

    Guillaume de Lorris and Jean de Meun, Roman de la Rose Netherlands, S. (Bruges); c. 1490-c. 1500 Garden of Pleasure

    1470s. This image is notorious representing Juana of Portugal, wife of Enrique IV of Castilla who invented that skirt with " verdugados " to hide her pregnancy from her relationship with Pedro of Castilla and Fonseca , which twins were born in 1471 .This fashion spread to Italy in 1480 and 90. The flaring chemise sleeves of striped or embroidered fabric are uniquely Spanish at this time, but the small cap and wrapped braid of hair are common to both Spain and Italy.

    Around 1490 - detail of a Saint-Severin painting in the Louvre.

    Venice, Republic of Venice Vittore Carpaccio, 1495: Arrival of the Ambassadors (detail) Venice, Galleria dell'Accademia

    Carlo Crivelli, St. Catherine of Alexandria, c. 1491-94

    Katharinenaltar by Lucas Cranach ca. 1506

    Purse, late 15th century. Northern European. The Metropolitan Museum of Art, New York. The Cloisters Collection, 1952 (52.121.3)

    Crivelli, Carlo: Hl. Maria Magdalena | around 1476

    Saints Christina and Ottilia, Lucas the elder Cranach 1506

    1490s Beatrice d'Este by Bartolomeo Veneto (Snite Museum of Art, University of Notre Dame South Bend Indiana USA)