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VERSAILLES, LA SERIE - BRAND CONTENTE

VERSAILLES, LA SERIE - BRAND CONTENTE

VERSAILLES, LA SERIE - BRAND CONTENTE

VERSAILLES, LA SERIE - BRAND CONTENTE

VERSAILLES, LA SERIE - BRAND CONTENTE

VERSAILLES, LA SERIE - BRAND CONTENTE

VERSAILLES, LA SERIE - BRAND CONTENTE

VERSAILLES, LA SERIE - BRAND CONTENTE

VERSAILLES, LA SERIE - BRAND CONTENTE

VERSAILLES, LA SERIE - BRAND CONTENTE

VERSAILLES, LA SERIE - BRAND CONTENTE

VERSAILLES, LA SERIE - BRAND CONTENTE

VERSAILLES, LA SERIE - BRAND CONTENTE

VERSAILLES, LA SERIE - BRAND CONTENTE

VERSAILLES, LA SERIE - BRAND CONTENTE

VERSAILLES, LA SERIE - BRAND CONTENTE

VERSAILLES, LA SERIE - BRAND CONTENTE

VERSAILLES, LA SERIE - BRAND CONTENTE

VERSAILLES, LA SERIE - BRAND CONTENTE

VERSAILLES, LA SERIE - BRAND CONTENTE

VERSAILLES, LA SERIE - BRAND CONTENTE

VERSAILLES, LA SERIE - BRAND CONTENTE

Paper artist Asya Kozina was inspired by the decadent wigs found in Baroque and Rococo still lifes, tall masses of hair adorned with objects that represent the ideals of luxury and beauty in the 17th and 18th centuries. Her series Skyscraper on the Head imagines how these outdated accessories might

Sky-High Paper Wigs Topped With Modern Luxuries by Asya Kozina

russian paper artist asya kozina reinterprets baroque wigs with a modern flair

Lita, Chelsea 1983.

British photographer Derek Ridgers spent more than a decade documenting the hedonistic world of London’s club scene in the and

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