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Cool oiental Legendary Hero  Giant Fish fight Postcard by TheGreatestTattooArt

Cool oiental Legendary Hero Giant Fish fight Postcard by TheGreatestTattooArt

Dragon and Phoenix  Large Original Chinese Painting Art Wall Scroll : http://www.chilture.com/dragon-phoenix-large-chinese-painting-art-wall-scroll-p-624.html

Dragon and Phoenix Large Original Chinese Painting Art Wall Scroll : http://www.chilture.com/dragon-phoenix-large-chinese-painting-art-wall-scroll-p-624.html

Paper cut dragon and phoenix

Paper cut dragon and phoenix

“This of course is the way to talk to dragons, if you don’t want to reveal your proper name (which is wise), and don’t want to infuriate them by a flat refusal (which is also very wise). No dragon can resist the fascination of riddling talk and of wasting time to trying to understand it.” ~J.R.R. Tolkien The Hobbit

“This of course is the way to talk to dragons, if you don’t want to reveal your proper name (which is wise), and don’t want to infuriate them by a flat refusal (which is also very wise). No dragon can resist the fascination of riddling talk and of wasting time to trying to understand it.” ~J.R.R. Tolkien The Hobbit

Guan Shanyue(关山月)  . 第三时期:八十年代至二十世纪末。文革结束后,关山月重新开始了创作。虽然已知古稀之年,关山月仍创作不断,达到了新的水平。这个时期的作品在保持写实性的同时,也加入了笔墨、意境等传统中国画的成分。笔触更为老辣奔放,构图更为简洁,画面更为丰富、含蓄。从对“形”的关注升华为对“神”的关注,注重笔墨意趣。这个时期的作品有:《巨榕红棉赞》《乡土情》《榕荫曲》《天香赞》《碧浪涌南天》《轻舟已过万重山》《岭南春色》等。

Guan Shanyue(关山月) . 第三时期:八十年代至二十世纪末。文革结束后,关山月重新开始了创作。虽然已知古稀之年,关山月仍创作不断,达到了新的水平。这个时期的作品在保持写实性的同时,也加入了笔墨、意境等传统中国画的成分。笔触更为老辣奔放,构图更为简洁,画面更为丰富、含蓄。从对“形”的关注升华为对“神”的关注,注重笔墨意趣。这个时期的作品有:《巨榕红棉赞》《乡土情》《榕荫曲》《天香赞》《碧浪涌南天》《轻舟已过万重山》《岭南春色》等。

張大千 -《題箋圖》                            設色紙本,1944年。152 x 60.5cm。1952年春,大千先生之《憶遠圖》乃源於本幅。製作時間距約八載,除發髻上的配飾、裙腰處的花紋略見差別外,餘者皆大同小異。《題箋圖》在人物背景中補了蕉葉、細草、幼竹伴襯,補綴岩石充作座椅。仕女開臉娟秀、細眉彎如新月,雙目凝視若含無限幽思﹔其容其飾,明艷中流露典雅之風範,端莊中別具嫵媚之韻,真古典美人之今現也!全幅工筆寫意相配,鮮艷與雅淡互襯,蘊含飄逸之趣,極見畫家當時在青城山專志繪事之功力。

張大千 -《題箋圖》 設色紙本,1944年。152 x 60.5cm。1952年春,大千先生之《憶遠圖》乃源於本幅。製作時間距約八載,除發髻上的配飾、裙腰處的花紋略見差別外,餘者皆大同小異。《題箋圖》在人物背景中補了蕉葉、細草、幼竹伴襯,補綴岩石充作座椅。仕女開臉娟秀、細眉彎如新月,雙目凝視若含無限幽思﹔其容其飾,明艷中流露典雅之風範,端莊中別具嫵媚之韻,真古典美人之今現也!全幅工筆寫意相配,鮮艷與雅淡互襯,蘊含飄逸之趣,極見畫家當時在青城山專志繪事之功力。

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