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Kawano Kaoru: Face, Shôwa period, - Harvard Art Museum

Kawano Kaoru: Face, Shôwa period, - Harvard Art Museum

Ray Morimura | Tanada | Morimura's drawings are based on “unnatural”, “flat” perspectives: often depicted from an high vantage point, they never aim to distinguish the figure from the background. Realism is not an issue, textures and hues are given great importance, and every element appears to have the same weight in the composition.

Ray Morimura | Tanada | Morimura's drawings are based on “unnatural”, “flat” perspectives: often depicted from an high vantage point, they never aim to distinguish the figure from the background. Realism is not an issue, textures and hues are given great importance, and every element appears to have the same weight in the composition.

Ichikawa in Late Autumn Kawase Hasui (Japan, 1883-1957) Japan, 1930 Prints; woodcuts Color woodblock print Image: 14 5/16 x 10 1/16 in. (36.4 x 25.6 cm); Paper: 15 1/2 x 10 7/16 in. (39.4 x 26.5 cm) Gift of Mr. and Mrs. Felix Juda (M.73.37.90) Japanese Art

Ichikawa in Late Autumn Kawase Hasui (Japan, 1883-1957) Japan, 1930 Prints; woodcuts Color woodblock print Image: 14 5/16 x 10 1/16 in. (36.4 x 25.6 cm); Paper: 15 1/2 x 10 7/16 in. (39.4 x 26.5 cm) Gift of Mr. and Mrs. Felix Juda (M.73.37.90) Japanese Art

vjeranski:  YOSHIDA Hiroshi(Japan 1876 – 1950)Morning on Mount Tsurugi, Nihon Arupusu jû-ni dai no uchi Tsurugizan no asa1912 - 1926 → Japan

vjeranski: YOSHIDA Hiroshi(Japan 1876 – 1950)Morning on Mount Tsurugi, Nihon Arupusu jû-ni dai no uchi Tsurugizan no asa1912 - 1926 → Japan

Yellow Chrysanthemum, linocut by Jacques Hnizdovsky, 1976

Yellow Chrysanthemum, linocut by Jacques Hnizdovsky, 1976

A Brief Survey of Art History’s Most Macabre Paintings  Francisco Goya, Saturn Devouring His Son

A Brief Survey of Art History’s Most Macabre Paintings Francisco Goya, Saturn Devouring His Son

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