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Hubert Robert - A GRAND STAIRCASE -  signed and dated middle right on column: H. Robert/1763 oil on canvas ; 15 3/4  by 33 1/4  in.; 40.2 by 84.3 - This painting, with it's poetic atmosphere and fluid brushwork, epitomizes the best of Robert’s oeuvre.  It dates from towards the end the artist’s lengthy sojourn in Italy, between 1754-1765, a period which was instrumental in shaping both his style and his reputation.

Hubert Robert - A GRAND STAIRCASE - signed and dated middle right on column: H. Robert/1763 oil on canvas ; 15 3/4 by 33 1/4 in.; 40.2 by 84.3 - This painting, with it's poetic atmosphere and fluid brushwork, epitomizes the best of Robert’s oeuvre. It dates from towards the end the artist’s lengthy sojourn in Italy, between 1754-1765, a period which was instrumental in shaping both his style and his reputation.

John Wilson Carmichael, ‘Proposed new street for Newcastle’, 1831. Purchased with the aid of a grant from the MLA/V&A Purchase Grant Fund, 2010  Richard Grainger’s vision for Grey Street, Newcastle | Tyne & Wear Archives & Museums Blog

John Wilson Carmichael, ‘Proposed new street for Newcastle’, 1831. Purchased with the aid of a grant from the MLA/V&A Purchase Grant Fund, 2010 Richard Grainger’s vision for Grey Street, Newcastle | Tyne & Wear Archives & Museums Blog

Joseph Mallord William Turner ‘The Confluence of the Thames and the Medway’ 1808

Joseph Mallord William Turner ‘The Confluence of the Thames and the Medway’ 1808

Jan van Goyen, Watery Landscape with Windmill and Ruined Castle, 1644 (Collection of Louis XVI, 1780)

Jan van Goyen, Watery Landscape with Windmill and Ruined Castle, 1644 (Collection of Louis XVI, 1780)

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