Explore Painted Enamels, French Painted, and more!

Explore related topics

"Paris," Léonard Limosin (1505-1577). The Renaissance National Museum presents a series of painted enamels belonging to a decorative scheme devised by Leonard Limosin from Ovid's poem "The Heroides". These plates were designed to adorn a paneled cabinet for an unknown partner; the artist has chosen his subject - the legendary couples of antiquity - as refined portraits on deep blue background, with a striking face and very expressive.

"Paris," Léonard Limosin (1505-1577). The Renaissance National Museum presents a series of painted enamels belonging to a decorative scheme devised by Leonard Limosin from Ovid's poem "The Heroides". These plates were designed to adorn a paneled cabinet for an unknown partner; the artist has chosen his subject - the legendary couples of antiquity - as refined portraits on deep blue background, with a striking face and very expressive.

Minton, Footed bowl, bone china, painted all over in grisaille on a deep blue gound with gilt details, in imitation of French Renaissance enamels on painted copper. The bowl and foot have friezes of putti or male figures amongst strapwork, masks and garlands, separated by bands of foliage or moresque ornament. Made in two parts bolted together. Factory mark and painter's signature.

Minton, Footed bowl, bone china, painted all over in grisaille on a deep blue gound with gilt details, in imitation of French Renaissance enamels on painted copper. The bowl and foot have friezes of putti or male figures amongst strapwork, masks and garlands, separated by bands of foliage or moresque ornament. Made in two parts bolted together. Factory mark and painter's signature.

Diana Hunting and the Rape of Proserpina  Master I. D. C.  (active second half of the 16th century)  Date: probably late 16th century Culture: French (Limoges) Medium: Painted enamel on copper, partly gilt; gilt metal

Diana Hunting and the Rape of Proserpina Master I. D. C. (active second half of the 16th century) Date: probably late 16th century Culture: French (Limoges) Medium: Painted enamel on copper, partly gilt; gilt metal

Dish: The Destruction of the Hosts of Pharaoh Artist: Master IC (probably Jean Court) (French, Limoges, active 1614–1627) or Artist: Jean Cour (or Court) (French, Limoges, active 1598–1631) Date: probably early 17th century Painted enamel on copper, partly gilt. Dimensions: 20 11/16 x 15 3/4 in.

Dish: The Destruction of the Hosts of Pharaoh Artist: Master IC (probably Jean Court) (French, Limoges, active 1614–1627) or Artist: Jean Cour (or Court) (French, Limoges, active 1598–1631) Date: probably early 17th century Painted enamel on copper, partly gilt. Dimensions: 20 11/16 x 15 3/4 in.

36$$ Workshop of Master of the Triptych of Louis XII  (ca. 1490–ca. 1515) probably early 16th century  Painted enamel on copper, partly gilt  http://www.metmuseum.org/collection/the-collection-online/search/192736

36$$ Workshop of Master of the Triptych of Louis XII (ca. 1490–ca. 1515) probably early 16th century Painted enamel on copper, partly gilt http://www.metmuseum.org/collection/the-collection-online/search/192736

Triptych: The Last Judgment Artist: Master of the Orléans Triptych (French, active late 15th–early 16th century) Date: ca. 1500 Culture: French Medium: Painted enamels on copper, partly gilded. Dimensions: Center plaque 25 x 22 cm; left plaque 25 x 10 cm; right plaque 25 x 10 cm | The Metropolitan Museum of Art

Triptych: The Last Judgment Artist: Master of the Orléans Triptych (French, active late 15th–early 16th century) Date: ca. 1500 Culture: French Medium: Painted enamels on copper, partly gilded. Dimensions: Center plaque 25 x 22 cm; left plaque 25 x 10 cm; right plaque 25 x 10 cm | The Metropolitan Museum of Art

Dido.   Léonard Limosin (French, ca. 1505-ca. 1575)  ca. 1540 (Renaissance)  painted enamel on copper

Dido. Léonard Limosin (French, ca. 1505-ca. 1575) ca. 1540 (Renaissance) painted enamel on copper

Pinterest
Search