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"Double Portrait Presumed to Represent François de Jullienne and His Wife (Marie Élisabeth de Séré de Rieux)", Charles Antoine Coypel, 1743; MMA 2011.84

"Double Portrait Presumed to Represent François de Jullienne and His Wife (Marie Élisabeth de Séré de Rieux)", Charles Antoine Coypel, 1743; MMA 2011.84

1743. Double Portrait Presumed to Represent François de Jullienne (1722–1754) and His Wife (Marie Élisabeth de Séré de Rieux, 1724–1795) Charles Antoine Coypel (French, Paris 1694–1752 Paris)

1743. Double Portrait Presumed to Represent François de Jullienne (1722–1754) and His Wife (Marie Élisabeth de Séré de Rieux, 1724–1795) Charles Antoine Coypel (French, Paris 1694–1752 Paris)

Antoine-Laurent Lavoisier (1743–1794) and His Wife (Marie-Anne-Pierrette Paulze, 1758–1836), 1788 Jacques-Louis David (French, 1748–1825) Oil on canvas

Antoine-Laurent Lavoisier (1743–1794) and His Wife (Marie-Anne-Pierrette Paulze, 1758–1836), 1788 Jacques-Louis David (French, 1748–1825) Oil on canvas

Marie de Rabutin-Chantal, Marquise de Sévigné, a woman of letters. Portrait by Lefevre. Musée Carnavalet. 1626-1696

Marie de Rabutin-Chantal, Marquise de Sévigné, a woman of letters. Portrait by Lefevre. Musée Carnavalet. 1626-1696

Vicente Osorio de Moscoso, Conde de Trastamara, ca. 1787, Goya, private collection. The Metropolitan Museum of Art

Vicente Osorio de Moscoso, Conde de Trastamara, ca. 1787, Goya, private collection. The Metropolitan Museum of Art

François Boucher 'Madame de Pompadour' 1759.  This spectacular painting is actually owned by the Wallace Collection in London.

François Boucher 'Madame de Pompadour' 1759. This spectacular painting is actually owned by the Wallace Collection in London.

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