,路程中一 直在想,台灣有沒有一種共同連結記憶的建築物,每個人都能或多或少能認同的,不管經歷了地震,戰爭,都市更新,都能共同保護的價值,或者其實也不需要 ,能夠在小巷子裡騎腳踏車的時候,抬頭仰望就能看見的安心感,而不是玻璃帷幕參天的醜大樓。

,路程中一 直在想,台灣有沒有一種共同連結記憶的建築物,每個人都能或多或少能認同的,不管經歷了地震,戰爭,都市更新,都能共同保護的價值,或者其實也不需要 ,能夠在小巷子裡騎腳踏車的時候,抬頭仰望就能看見的安心感,而不是玻璃帷幕參天的醜大樓。

swissted is an ongoing project by graphic designer mike joyce. drawing from his love of punk rock and swiss modernism, two movements that have (almost) nothing to do with one another, mike has redesigned vintage punk, hardcore, new wave, and indie rock show flyers into international typographic style posters. each design is set in lowercase berthold akzidenz-grotesk medium (not helvetica).

swissted is an ongoing project by graphic designer mike joyce. drawing from his love of punk rock and swiss modernism, two movements that have (almost) nothing to do with one another, mike has redesigned vintage punk, hardcore, new wave, and indie rock show flyers into international typographic style posters. each design is set in lowercase berthold akzidenz-grotesk medium (not helvetica).

Invitation from the officers and directors of The American Institute of Graphic Arts for an exhibition featuring the work of "Gruppe 56" of 1956. The Exhibition was held in 1964.

Invitation from the officers and directors of The American Institute of Graphic Arts for an exhibition featuring the work of "Gruppe 56" of 1956. The Exhibition was held in 1964.

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