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Panel from a Ndop Ceremonial Hanging. Bamum or Bamileke people, Cameroon. First half 20th century Strip woven cotton stitch-resist dyed with indigo. Size: 12 3/4" x 69" (32 x 172.5cm).

Panel from a Ndop Ceremonial Hanging. Bamum or Bamileke people, Cameroon. First half 20th century Strip woven cotton stitch-resist dyed with indigo. Size: 12 3/4" x 69" (32 x 172.5cm).

Peacock  Kiki Smith (American, born Germany 1954)    1997. Etching, composition and sheet (irreg.): 71 1/2" x 6' 4 3/8" (181.6 x 194 cm). Publisher: unpublished. Printer: Columbia University, New York. Edition: several known variants. Lily Auchincloss Fund. © 2012 Kiki Smith  39.2003

Peacock Kiki Smith (American, born Germany 1954) 1997. Etching, composition and sheet (irreg.): 71 1/2" x 6' 4 3/8" (181.6 x 194 cm). Publisher: unpublished. Printer: Columbia University, New York. Edition: several known variants. Lily Auchincloss Fund. © 2012 Kiki Smith 39.2003

Haiku, Anni Albers, 1961. White, gray and black woven textile. In Concerning the Spiritual in Art, Kandinsky writes, "White…has this harmony of silence, which works upon us negatively, like many pauses in music that break temporarily the melody. It is not a dead silence, but one pregnant with possibilities. White has the appeal of the nothingness that is before birth, of the world in the ice age" (Kandinsky, 39).

Haiku, Anni Albers, 1961. White, gray and black woven textile. In Concerning the Spiritual in Art, Kandinsky writes, "White…has this harmony of silence, which works upon us negatively, like many pauses in music that break temporarily the melody. It is not a dead silence, but one pregnant with possibilities. White has the appeal of the nothingness that is before birth, of the world in the ice age" (Kandinsky, 39).

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