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    • Eric Wilton

      22.10.13.Invasion of venomous spiders closes secondary school

    • Emanuela Marcu

      False widow spider: small, deadly – and in the UK A cousin of the black widow, Steatoda nobilis has infiltrated these shores and is spreading everywhere. But no one has died yet

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    3 House Club, London: trip to the British Museum: after having classes about Ancient Egyptian, Greek & Roman art ( ); in this image, children were learning about Roman mosaics. Following this, there will be a workshop on ancient art at 3 House Club on Wednesday, October 29th 2014, from 11:00 to 15:00, - a few places left (open for members and non-members)

    Monique Lhuillier Spring 2015 inspiration

    'In her creation of Still Garden, Afruz Amighi uses woven polyethylene — the material used to build refugee tents — that she has hand-cut with geometric patterns alluding to the history and art of Iran, Turkey and Andalusia. Light projects through Still Garden to convey, as much of Amighi’s artwork does, a view of her native Iran from afar.

    Sandwoman, Ana Mendieta Art Experience NYC: www.artexperience...


    'Motoi Yamamoto's "Return to the Sea: Saltworks. Salt is " a traditional symbol for purification and mourning in Japanese culture... Motoi forged a connection to the element while mourning the death of his sister, at twenty-four, from brain cancer, and began to create art out of salt in a effort to preserve his memories." May 25 - July 7, 2012. Halsey Institute. of Contemporary Art. The College of Charleston (SC)

    Vivian Maier: Chicago, IL. December 1962.

    School of Visual Arts Contemporary Perspectives Lecture Series: Arts Critic Peter Schjeldahl

    Japanese calligrapher, Koji KAKINUMA

    The New Spirit of Capitalism - Luc Boltanski, Eve Chiapello ' the heart of the changes in contemporary business culture ... the authors trace the contours of a new spirit of capitalism. They argue that from the middle of the 1970s onwards, capitalism abandoned the hierarchical Fordist work structure& developed a new network-based form of organization which was founded on employee initiative&autonomy in the workplace – a 'freedom' that came at the cost of material&psychological security.

    folk art/sculptural collage/MOBILES // hanna sandin

    Japanese restaurant - circle

    kiki smith

    Wind Portal by Najla El Zein

    'World’s oldest labyrinth illustration, c. 2000-1700 BC, Babylonia In Old Babylonian on clay showing a labyrinth of square and symmetric form.

    Color Becomes A Perception-Altering Substance In These Interactive Rooms | The Creators Project

    // alice ronchi

    Romeo Castellucci, Museum of Sleep

    'Antonioni’s film Zabriskie Point (1970) opens with ... a rousing political meeting at his university ... Project for a Revolution (2000),a tightly edited video work by Swedish artist Johanna Billing,is the mirror reversal of this-... characters silently hang around a contemporary university space,seemingly waiting for something to happen ... As Project for a Revolution is looped, the protagonists’ unfocused energy seems infinite.' Also: www.makeithappen....

    'The Mutual Wave Machine - interactive neurofeedback installation that embodies the elusive notion of ‘being on the same wavelength’ with another person through brainwave synchronization. Enclosed by an intimate capsule& immersed in an audiovisual environment that responds& reflects their shared brain activity, 2 visitors can directly experience& manipulate their internal efforts to approach each other, or distance themselves www.immaterial.or...

    'The private property aspect of creativity must be destroyed; all are creators and there is no reason of any sort for this division into artists and nonartists.' (El Lissitzky) -archive text 'Suprematism in World Reconstruction'1920: ksturgisjensen.wo... (Image: "Proun 2C," by El Lissitzky, 1920, oil, paper, metal foil on plywood; Philadelphia Museum of Art)

    COLLECTIVE CREATIVITY- Kunsthalle Fridericianum 'exhibition deals with different forms of collective artistic creativity whose protagonists share common programs, ways of life, methodologies or political standpoints. Although the work of collectives is in many ways determined by certain historical, existential, intellectual or political contexts,the exhibition is interested in specific kinds of social tensions that serve as a common axis around which various group activities .. '

    Collective Creativity - Kunsthalle Fridericianum Kassel, 1.5.2005 – 17. 7.2005 -Curators: What, How & for Whom /WHW (Ivet Curlin, Ana Devic, Natasa Ilic & Sabina Sabolovic) conceptualism.let... See also: archiv.fridericia...