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c.1770  Bunka Gakuen Costume Museum I suppose that the overdress is fastened to the stomacher with buttons? I love this open jacket look.

c.1770 Bunka Gakuen Costume Museum I suppose that the overdress is fastened to the stomacher with buttons? I love this open jacket look.

Detail side view, robe à la Française, France, c. 1770. White cotton, block-printed and dye-painted, with silk passementerie.

Detail side view, robe à la Française, France, c. 1770. White cotton, block-printed and dye-painted, with silk passementerie.

Shear Brilliance - Los Angeles magazine Long before the first note is sung, the L.A. Opera costume shop brings to life a production’s historic, mythological, or spiritual realms. This month’s The Ghosts of Versailles is its grandest project yet. The period gown was made for Rosina, a character from the Figaro operas, which form a key subplot in The Ghosts of Versailles.

Shear Brilliance - Los Angeles magazine Long before the first note is sung, the L.A. Opera costume shop brings to life a production’s historic, mythological, or spiritual realms. This month’s The Ghosts of Versailles is its grandest project yet. The period gown was made for Rosina, a character from the Figaro operas, which form a key subplot in The Ghosts of Versailles.

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