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Every Dead Kennedys album. I can't pick just one because each is brilliant in its own special way. The DKs are probably my favourite punk band, but the first time I heard them - much like the first time I heard Beefheart - I thought they were awful. It sounded like some weird cabaret/surf/spaghetti western/jazz/experimental/garage/rockabilly hybrid. On top of it all was Jello Biafra's voice; a kind of helium-filled bleat of a thing. I still think they sound like that, but now I love them for…

Adrenalin O.D: Humungousfungusamongus. This album has held a special place in my heart ever since I first heard it as a teenager. I remember having my headphones on, listening to it over and over again. My original vinyl copy was played so many times that the grooves wore out and it became unplayable. It's one of the few albums I love that is actually a lot of fun to listen to; the band never took themselves too seriously (see cover). An album that always puts a smile on my face.

Naked City: Naked City. There's not much I can say about this album that will do it justice. The band is the brainchild of avant-garde composer John Zorn, and encompasses free jazz, hardcore, experimental, country, lounge, film score, cartoons, surf, classical and much more. Many of the tracks flip between genres every few measures and feature frequent tempo changes. On first listen, the album might sound utterly bonkers, but the virtuosity and sheer scope mean I never grow tired of hearing…

Neil Young: Tonight's The Night. What happens if you get a bunch of musicians completely shit-faced drunk, then get them to play unfamiliar songs as a tribute to two of their late friends? You get this album. It's ragged, ropey, shambolic and always on the verge of falling apart, but it's an absolute classic. It's a stumbling, gibbering, weeping, howling drunk of an album. It expresses loss and grief like few other records in popular music.

Slayer: Reign In Blood. When Slayer released their masterwork in 1986, Thrash Metal was still in its infancy. Bands were still finding their feet, and the music was still being shaped and formed. What Slayer did with this album was define the genre absolutely. In my opinion, no other extreme metal band has ever bettered this behemoth of relentless, brutal beauty: not even Slayer themselves. A stone-cold classic. It also reminds me of being young; always a good thing.

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Simon And Garfunkel

Simon & Garfunkel - Sound of Silence

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Kraftwerk:The Man-Machine (1978)

Kraftwerk - Man Machine

30th Best Album of all time by Joni Mitchell, 'Blue' (Rated by Rolling Stone Magazine) www.pinboardforum.com

-Steppenwolf the Second (album cover)...has Magic Carpet Ride on it... their name came from a book called Steppenwolf by German-Swiss author Hermanne Hesse...you may want to check out his books.