Chronicling Jacqueline de Ribes’s six decades of haut monde iconoclasm, the author learns why no label could ever fit such a dazzlingly inventive talent.
Jacqueline de Ribes in Christian Dior, 1959 Fotografata da Roloff Beny
Jacqueline de Ribes (looking like she could be on a Roxy Music album cover) in a Dior dress & headdress by Raymundo de Larrain for Alexis de Rede's Bal de Tetes,