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https://www.flickr.com/photos/igorsv/3864032883/in/album-72157622195988760/

Tree hugger....totally going to be one of my family pictures someday

Black and White

blood and nerves and rivers and trees all know the secrets of branching out, of reaching.

Standing Figure (Aloalo) with Superstructure [Madagascar; Malagasy (Mahafaly) people] (1998.317.1) | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art

"Bunnyland" - Photography by Alena Beljakova, 2009. S)

Torii Kiyomitsu (Japanese, 1735–1785). Japan. The Actor Iwai Hanshiro as a Oiran Reading a Love Letter While Reading upon a Black Carabao, ca. 1763. The Metropolitan Museum of Art, New York. Edo period (1615–1868). The Francis Lathrop Collection, Purchase, Frederick C. Hewitt Fund, 1911 (JP693)

Skull

Mary Cassatt (American, 1844–1926). Mother's Kiss, ca. 1891. The Metropolitan Museum of Art, New York. Gift of Mrs. Gardner Cassatt, 1960 (60.730bis)

mermaids

Mucha's use of landscape to set the scene

Henry Weston Keen (British, 1871–1935). Skull Crowned with Snakes and Flowers, for the Duchess of Malfi and the White Devil by John Webster, 1918–35. The Metropolitan Museum of Art, New York. The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1967 (67.803.12) #skull #Halloween

Raimundo de Madrazo y Garreta (Spanish, 1841–1920). Masqueraders, 1875–78. The Metropolitan Museum of Art, New York. Robert Lehman Collection, 1975 (1975.1.233)

Painting by Riza-yi `Abbasi (ca. 1565–1635). The Lovers, dated A.H. 1039/ A.D. 1630. The Metropolitan Museum of Art, New York. Purchase, Francis M. Weld Gift, 1950 (50.164)

Standing court lady, mid-7th century. Tang dynasty (618–906). China. The Metropolitan Museum of Art, New York. Anonymous Gift, in memory of Louise G. Dillingham, 1978 (1978.345) | This figurine of a woman in stylish dress represents a dancer in the court of the Tang dynasty, a prosperous time when foreign influences on social customs, fashion, and costume were prominent. #dance

Goya (Spanish, 1746–1828). The Sleep of Reason Produces Monsters: Plate 43 of The Caprices (Los Caprichos), 1799. The Metropolitan Museum of Art, New York. Gift of M. Knoedler & Co., 1918 (18.64)

want !

Suzuki Harunobu (Japanese, 1725–1770). Lovers Walking in the Snow (Crow and Heron), 1764–72. Edo period (1615–1868). Japan. The Metropolitan Museum of Art, New York. The Howard Mansfield Collection, Purchase, Rogers Fund, 1936 (JP2453)

Teruko Nimura / pink doll 1

Boceto, 1997 by Marina De Caro, via Flickr

concrete rope