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Opus 217. Against the Enamel of a Background Rhythmic with Beats and Angles, Tones, and Tints, Portrait of M. Félix Fénéon in 1890 by Paul Signac, 1890

Opus 217. Against the Enamel of a Background Rhythmic with Beats and Angles, Tones, and Tints, Portrait of M. Félix Fénéon in 1890 by Paul Signac, 1890

Kazimir Malevich - WikiArt.org

Kazimir Malevich - WikiArt.org

Théo VAN RYSSELBERGHE 1862-1826 - "L'Homme à la barre" - Peint en 1892 Paris, musée d'Orsay

Théo VAN RYSSELBERGHE 1862-1826 - "L'Homme à la barre" - Peint en 1892 Paris, musée d'Orsay

Émile Bernard — Le Pardon. Les Bretonnes dans la prairie (1888)

Émile Bernard — Le Pardon. Les Bretonnes dans la prairie (1888)

Harold Gilman ‘Mrs Mounter at the Breakfast Table’, 1916–7

Harold Gilman ‘Mrs Mounter at the Breakfast Table’, 1916–7

Paul Signac / Port de La Rochelle, 1921 >>> Mainly re-pinned because it's La Rochelle, and I love those towers.

Paul Signac / Port de La Rochelle, 1921 >>> Mainly re-pinned because it's La Rochelle, and I love those towers.

http://www.foodcultureindex.com/2010/07/chaim-soutines-beef-carcass-paintings.html

http://www.foodcultureindex.com/2010/07/chaim-soutines-beef-carcass-paintings.html

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