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Patent Illustration from the Charles Eames DCW chair

Über Early 3 Legged Chair, 1943.

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Alf Aarseth; Rosewood and Leather Sidechair for Gustav Bahus, 1960s.

Marcel Breur's chair (1928) reflects the universal appeal movement through its lack of 'decoration' and timeless appeal. The chair strictly follows its function and does not include elements which are not necessary for its purpose. This ideology complements my personal preferences regarding design, which is minimalistic and simple.