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Charles Eames; Three-Legged Chair, 1943.

Alf Aarseth; Rosewood and Leather Sidechair for Gustav Bahus, 1960s.

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Paul McCobb; Rosewood and Brass 'Bossa Nova' Desk, 1960s.

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Anne-Mette Sørensen
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Anonymous; Painted Tubular Metal and Leather Easy Chair Prototype, 1960s.

Marcel Breur's chair (1928) reflects the universal appeal movement through its lack of 'decoration' and timeless appeal. The chair strictly follows its function and does not include elements which are not necessary for its purpose. This ideology complements my personal preferences regarding design, which is minimalistic and simple.