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His name is forever linked with Memphis but Ettore Sottsass had a big life  before and after he organized the flamboyant Milanese movement that defined 1980s #design. After #Memphis disbanded in 1987 #Sottsass dreamed up this vanity seen here in Villa Arconati outside of Milan. While it was first introduced in 1991 the piece which features an arched mirror frame fashioned from Alpi a type of reconstituted wood pioneered in the 1920s and gold-plated cylinders is surprisingly relevant today…

His name is forever linked with Memphis but Ettore Sottsass had a big life before and after he organized the flamboyant Milanese movement that defined 1980s #design. After #Memphis disbanded in 1987 #Sottsass dreamed up this vanity seen here in Villa Arconati outside of Milan. While it was first introduced in 1991 the piece which features an arched mirror frame fashioned from Alpi a type of reconstituted wood pioneered in the 1920s and gold-plated cylinders is surprisingly relevant today…

GARRY WINOGRAND: Standing on the Corner - Reflections Upon Garry Winogrands Photographic Gaze - Mirror of Self or World? Part II (1991)ASX | AMERICAN SUBURB X | Photography & Culture

GARRY WINOGRAND: Standing on the Corner - Reflections Upon Garry Winogrands Photographic Gaze - Mirror of Self or World? Part II (1991)ASX | AMERICAN SUBURB X | Photography & Culture

GARRY WINOGRAND: "Standing on the Corner - Reflections Upon Garry Winogrand's Photographic Gaze - Mirror of Self or World? Part II" (1991)ASX | AMERICAN SUBURB X | Photography & Culture

GARRY WINOGRAND: "Standing on the Corner - Reflections Upon Garry Winogrand's Photographic Gaze - Mirror of Self or World? Part II" (1991)ASX | AMERICAN SUBURB X | Photography & Culture

In 1991, when I was 21, I decided to start my own photography project documenting the beauty, strength and spiritual richness of indigenous communities in Latin America. For 12 years, I traveled to the most remote communities in 8 countries, living with indigenous people for long periods of time, always learning from them. Photography, for me, is a bridge and a mirror through which I can transform my experience into images. My book, Guardians of Time, with a prologue written by José…

In 1991, when I was 21, I decided to start my own photography project documenting the beauty, strength and spiritual richness of indigenous communities in Latin America. For 12 years, I traveled to the most remote communities in 8 countries, living with indigenous people for long periods of time, always learning from them. Photography, for me, is a bridge and a mirror through which I can transform my experience into images. My book, Guardians of Time, with a prologue written by José…

Gerhard Richter ‘Corner Mirror, brown-blue (737-1, 737-2)’, 1991 © Gerhard Richter

Gerhard Richter ‘Corner Mirror, brown-blue (737-1, 737-2)’, 1991 © Gerhard Richter

Google Image Result for http://theredlist.fr/media/database/photography/history/street/garry-winogrand/020_garry-winogrand_theredlist.jpg

Google Image Result for http://theredlist.fr/media/database/photography/history/street/garry-winogrand/020_garry-winogrand_theredlist.jpg

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