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  • Matilda Legeby

    Katy Grannan, Chromogenic print, 2007 "This photograph was part of Sara Corbett’s New York Times Magazine article “The Women’s War,” which described the impact of post-traumatic stress disorder on the lives of Iraq War veterans. All of these subjects faced serious challenges in connecting to the ordinary lives that the photographs so poignantly evoke."

  • Denys Finney

    National Portrait Gallery | Feature Photography

  • Steve Field

    Keli Katy Grannan Chromogenic print, 2007 Collection of the artist, courtesy Greenberg Van Doren Gallery, New York City; Fraenkel Gallery, San Francisco; Salon 94, New York City© Katy Grannan

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Photography by Hugh Kretschmer, a Los Angeles-native photographer, whose 22-year career is marked by both editorial & advertising imagery, with an endearing use of metaphor & hand crafted, trick-the-eye elements

Even as a child, she had preferred night to day, had enjoyed sitting out in the yard after sunset, under the star-speckled sky listening to frogs and crickets. Darkness soothed. It softened the sharp edges of the world, toned down the too-harsh colors. With the coming of twilight, the sky seemed to recede; the universe expanded. The night was bigger than the day, and in its realm, life seemed to have more possibilities. ― Dean Koontz, Midnight

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