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Marina Abramović

pom-e-gra-nate: “ “ Marina Abramović, Dozing Consciousness from the series Balkan Baroque, Video documentation of a performance;

Irreverent by Carine Roitfield  Editorial Rizzoli, 2011

Los 10 libros del momento

Irreverent by Carine Roitfield Editorial Rizzoli, 2011

Asiya Bareeva коллекция | Коллекции весна-лето 2016 | Москва | VOGUE

Asiya Bareeva

Asiya Bareeva коллекция | Коллекции весна-лето 2016 | Москва | VOGUE

Portrait with Scorpion, Marina Abramovic (2005).

Marina Abramovic / "Portrait with Scorpion" / 2005 / Photography / Her work explores the relationship between performer and audience, the limits of the body, and the possibilities of the mind.

Marina Abramović | The Current, triptych | 2015 | Photography - Still-Life | This piece that I have chosen shows the fluidity of human movement and the structure of the human face.

The Current, triptych.Known to avoid traditional, object-based art materials (such as paint and canvas), and to cut down the distance between the artist and the audience by making her own body the medium

Marina Abramovic

Marina Abramovic Covers The Lab Magazine

thelabmagazine: “Marina Abramovic for The Lab Magazine issue Photography by Justin Tyler Close. Interview by Charles Atlas.

Marina Abramović. ‘De grootmoeder van de performancekunst’ noemt ze zichzelf; maar ze heeft evengoed recht op de titel ‘kind van de body art’.

Marina Abramović, Rhythm 1974 To test the limits of the relationship between performer and audience, Abramović developed one of her most challenging (and best-known) performances. She assigned a.

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