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    the cramps at peppermint lounge, 1983

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    • Tiffany Wilson

      13 | Check Out These Vintage Rock Posters, Remixed With Swiss Modernism | Co.Design: business + innovation + design

    • sharlene

      In 2012, Mike launched Swissted, a personal project combining his love of Swiss graphic design and punk rock by redesigning old show flyers into hundreds of 'International Style' typographic posters. The only thing he won’t design is wedding invitations. That’s not Mike’s style.

    • Famous For Meats

      By designer Mike Joyce of Stereotype Design in NYC. Combining his love of punk rock and swiss modernism.

    • Paul Riley

      Swissted: Punk Rock Flyers designed as Swiss Modernist Posters | TRÜF

    • Just Design

      Minimalist Swiss Modernist Posters of Real Punk Rock Shows - ANIMAL

    • i-i-design

      The Cramps at the Peppermint Lounge 1983 poster -

    • Sandra C

      the cramps at peppermint lounge, 1983 Swissified by swissted

    • Paula Cevasco

      Punk rock Swiss modernism combined | Webdesigner Depot

    • andrea walters

      Swissted – Poster Design – Mike Joyce

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    Clavicytheria, or upright harpsichords, were made as early as the 15th century, but tall examples such as this date from the late Baroque era. Having 2 sets of doors that conceal the strings, the case appears ungainly when open, but when closed it has a graceful outline embellished by gilded "wings" and stops control 2 sets of strings. The mechanism has been altered and the painted soundboard is a replacement; originally the instrument may have been an upright piano.

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    Lyraflugel ~ This type of upright piano was made almost exclusively in Berlin between 1820 and 1850. The Lyraflügel was a fashionable fixture of middle-class Biedermeier parlors in northern German lands. In the period of the Napoleonic occupation (1806–13), the lyre had become a symbol of freedom and liberation. It was popularized in songs based on the collection of patriotic poems, With Lyre and Sword, by the poet Theodor Körner (1791–1813).

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