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Wedding gown, late 1870s-early 1880s. Cream-colored organza with lace. "Natural form" dress made of single unseamed panel from shoulder to hem so it lies flat. Long train. Fifteen rows of pleats that face upward and are framed by double-edged row of silk thread-trimmed, loosely woven organza ruffles. Machine- and hand-stitched. Close-fitting sleeves flare out with 2 rows of pleats, finished with tier of handmade silk lace and ivory silk faille ribbon, which is also at neckline

Wedding gown, late 1870s-early 1880s. Cream-colored organza with lace. "Natural form" dress made of single unseamed panel from shoulder to hem so it lies flat. Long train. Fifteen rows of pleats that face upward and are framed by double-edged row of silk thread-trimmed, loosely woven organza ruffles. Machine- and hand-stitched. Close-fitting sleeves flare out with 2 rows of pleats, finished with tier of handmade silk lace and ivory silk faille ribbon, which is also at neckline

Day after wedding dress, ca. 1875. Wool and silk. La Dame de Tours (authentic collection) by rosalie

Day after wedding dress, ca. 1875. Wool and silk. La Dame de Tours (authentic collection) by rosalie

1890 wedding dress http://inspiringdresses.tumblr.com/post/47701871017/stern-brothers-wedding-dress-1890-american-v-a #victorian #wedding #dress

1890 wedding dress http://inspiringdresses.tumblr.com/post/47701871017/stern-brothers-wedding-dress-1890-american-v-a #victorian #wedding #dress

Victorian Silhouettes

Victorian Silhouettes

SHAPE: Silhouette: the outline of the actor+costume. General shape of a costume piece often suggests the time period, creating a sense of the continuity of world within the play.

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