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Caravaggio’s “Madonna di Loreto,” the Madonna of the Pilgrims. Caravaggio’s hyper-realism is a magician’s conjuring trick, and a perfect metaphor for great art, which declines to make obvious its deepest truths, leaving us to decipher them if we can. (Basilica di Sant' Agostino, Rome).

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Joan Jonas Mirror Piece I, 1969. Chromogenic print, unique, 40 x 22 1/4

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Guillaume Excoffier Comes to Beirut, Design Pop-Up Store Extraordinaire

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