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  • Foxtrot

    Claude Monet - London. Parliament. Reflections on the Thames, 1905. Oil on canvas, 81.5 × 92 cm. Musée Marmottan Monet, Paris.

  • Victoria Thor

    Claude Monet (French, Impressionism, 1840-1926): Houses of Parliament, London, 1905. Oil on canvas, 81 x 92 cm (31-7/8 x 36-1/4 in). Musée Marmottan, Paris, France. Final painting, "Houses of Parliament, London" series of paintings.

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A close up of one of the hammerbeam angels at Westminster: The angels bear the arms of Richard II, the lions of England quartered with the fleur-de-lys of France. Photograph © The Houses of Parliament 2012. Photographer: Michael Rimmer.

Claude Monet: Houses of Parliament (1904). Maybe the best Monet's painting of this subject?

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Claude Monet: (14 November 1840—5 December 1926) was a founder of French impressionist painting, and the most consistent and prolific practitioner of the movement's philosophy of expressing one's perceptions before nature, especially as applied to plein-air landscape painting. The term Impressionism is derived from the title of his painting Impression, Sunrise

An Afternoon with Monet “It took me sometime to understand my water lilies. I had planted them for pleasure and cultivated them without thinking of painting them. A landscape does not sink into you all at once. And then suddenly, I had a revelation of the magic of my pond. I took up my palette. Since then I have hardly had another subject.” ~ Claude Monet to writer Mark Elder, 1920s via Majorlight

"People discuss my art and pretend to understand as if it were necessary to understand, when it's simply necessary to love." - Claude Monet

"Walk (Road of the Farm Saint-Siméon)" -- 1864 -- Claude Monet -- French -- Oil on canvas -- The National Museum of Western Art -- Japan

Claude Monet (French, 1840–1926). The Stroller (Suzanne Hoschedé, later Mrs. Theodore Earl Butler, 1868–1899), 1887. The Metropolitan Museum of Art, New York. The Walter H. and Leonore Annenberg Collection, Bequest of Walter H. Annenberg, 2002 (2003.20.7)

Monet painted five views of the Parc Monceau: three in 1876 and two in 1878. In this canvas, the disposition of light and shade in the foreground, the patterns of the leaves, and the broad contours beginning to develop in areas of strong contrast suggest that Monet had already begun to experiment with the boldly two-dimensional motifs that would characterize his work of the 1880s and 1890s.

Claude Monet - Pheasants Woodcocks and Partridges