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Titled after actions including ‘pitch,’ ‘slide,’ ‘cram,’ and ‘swap,’ Lee Lozano’s paintings from the mid 60s merge serene minimal abstraction with forceful angles and directional lines that give each canvas suggestive power. (At Hauser & Wirth through July 31st).Lee Lozano, Lean, oil on canvas, three parts, 78 ¼ x 123 ¼ x 1 5/8 inches, 1966.

Lee Lozano Stop

Lee Lozano, Clamp, 1965

Lee Lozano Verge 1965 Oil on canvas

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by maria anwander (+)

Anita Leocadia

Mia Christopher

Barbara Kruger

Imi Knoebel

Oliver Perkins, Untitled, 2014

Martin Wehmer - all the pretty pictures in my feed and this one rings most true!

Barry McGee

Franklin Evans open studio

Lancia TrendVisions - Trendwall | 6881

Neon Text Installations by Lee Jung

// Nathan Lynch, Oversharing, 2013

Homage to Ellsworth Kelly

hugonnier.jpg 1,000×793 pixels

ANDREW BRISCHLER

Richard Roth: Return to Sender II

Douglas Coupland takes over the marquee for East Vancouver's Waldorf Hotel to broadcast some "modern day McLuhan-isms"

James Turrell. Photo by Simone Bossi, courtesy of FAI VILLA E COLLEZIONE PANZA. Published on February 26, 2015.