Explore Kay Nielsen, Princess Art, and more!

An illustration for Felicia, Or The Pot of Pinks by Kay Nielsen from the collection of fairy tales, "In Powder and Crinoline."

In Powder and Crinoline - Felicia; or, The Pot of Pinks; Felicia thereupon stepped forth, and terrified though she was, saluted the Queen respectfully: with so graceful a curtsey

çizgili masallar: East of the Sun and West of the Moon by Kay Nielsen

Kay Nielsen’s Stunning 1914 Scandinavian Fairy Tale Illustrations – Brain Pickings

Illustration by Kay Nielsen- East of the Sun and West of the Moon (1914)

Kay Nielsen, illustration from "East of the Sun, West of the Moon", 1914 Illustrations of Scandinavian Fairy Tales - Old Tales from the North - 'The Wolf Was Waiting for Him'

Kay Nielsen

Kay Nielsen was one of the most celebrated illustrators in the early century. His works flourished during this "golden age of illustrat.

Illustration from East of the Sun, West of the Moon, by Kay Nielson

Into the Woods, 13: Once Upon a Time, Re-imagining Fairy Tales

Kay Nielsen for "The Three Princesses in the Blue Mountain" in 'East of the Sun and West of the Moon': "No sooner had he whistled than he heard a whizzing and a whirring from all quarters, and such a large flock of birds swept down that they blackened all the field in which they settled."

enchantingimagery: “ A large flock of birds. The Three Princesses in the Blue Mountain, a fairy-tale illustration by Kay Nielsen from the collection East of the Sun, West of the Moon.

Kay Nielsen’s Stunning 1914 Scandinavian Fairy Tale Illustrations – Brain Pickings

Kay Nielsen’s Stunning 1914 Scandinavian Fairy Tale Illustrations

ケイ・ニルソン (1886-1957)は、イラストのゴールデン・エイジと呼ばれてる20世紀初版アート・ヌヴォ時代のデンマークのイラストレータ。パリーで芸術を勉強、色んなおとぎ話(アンデルセン、グリム兄弟、アラビアン・ナイト等)のイラスト、舞台の背景などの作品活動をし、ニューヨ...

Kay Nielsen was an amazingly talented Danish illustrator in the first part of the century.

Kay Nielsen illustration  Pinned for later from nielsen.artpassions.net.

"I See The Star" - Kay Nielsen ~ "Red Magic," by Romer Wilson, illustrated by Kay Nielsen, London: Jonathan Cape, 1930

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