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圍牆 The Wall  60×22×58 cm 瓷土、拉坯丶變形丶手塑及雕刻 Porcelain, throwing, transformation, hand-building and carving 2013

圍牆 The Wall 60×22×58 cm 瓷土、拉坯丶變形丶手塑及雕刻 Porcelain, throwing, transformation, hand-building and carving 2013

Chinese blue and white porcelain foo dog pair.  Circa early 20th century, 10 inches tall.

Chinese blue and white porcelain foo dog pair. Circa early 20th century, 10 inches tall.

Kendi pouring vessel, Wan Li period (1573–1620), Mounts England, c. 1600

Kendi pouring vessel, Wan Li period (1573–1620), Mounts England, c. 1600

Longquan porcelain meiping vase of octagonal form. The vase has grey green glaze. There are three moulded panels on each of the eight facets, with chrysanthemum sprays on the upper and lower panels. The centre panels are unglazed and biscuit fired, and show alternately Daoist immortals and chrysanthemum sprays. Yuan Dynasty.  © The Trustees of the British Museum

Longquan porcelain meiping vase of octagonal form. The vase has grey green glaze. There are three moulded panels on each of the eight facets, with chrysanthemum sprays on the upper and lower panels. The centre panels are unglazed and biscuit fired, and show alternately Daoist immortals and chrysanthemum sprays. Yuan Dynasty. © The Trustees of the British Museum

Chinese Porcelain Pedestal Cup. Yuan dynasty, enamel floral decoration. Height 3 1/2 inches.

Chinese Porcelain Pedestal Cup. Yuan dynasty, enamel floral decoration. Height 3 1/2 inches.

Qingbai ware porcelain stem cup with lobed everted rim.  The cup has a white body.  There are  four open-work panels in the cup are framed by relief work.  Each of the panels has a different design, one is of two fish among waves, another is of an animal. Yuan dynasty.

Qingbai ware porcelain stem cup with lobed everted rim. The cup has a white body. There are four open-work panels in the cup are framed by relief work. Each of the panels has a different design, one is of two fish among waves, another is of an animal. Yuan dynasty.

The marble sculptures by British artist Matthew Simmonds aren’t your typical human forms popularized by the Ancient Greeks and Romans. Instead, he carves detailed and solitary architectural interiors into a corner or side of a hunk of stone. Simmonds leaves the natural edges of the rocks juxtaposed with his small, finished spaces. He pays homage to sacred buildings like baroque basilicas and Ancient Roman Temples by depicting some of their defining features like domed-roofs and elaborate .

The marble sculptures by British artist Matthew Simmonds aren’t your typical human forms popularized by the Ancient Greeks and Romans. Instead, he carves detailed and solitary architectural interiors into a corner or side of a hunk of stone. Simmonds leaves the natural edges of the rocks juxtaposed with his small, finished spaces. He pays homage to sacred buildings like baroque basilicas and Ancient Roman Temples by depicting some of their defining features like domed-roofs and elaborate .

Stemcup, porcelain with moulded and underglaze blue decoration of dragon designs, China, Yuan dynasty, 14th century. Height: 9.2 cm, Diameter: 11.4 cm. C.324 Given by Lady Orchardson. © V Images.

Stemcup, porcelain with moulded and underglaze blue decoration of dragon designs, China, Yuan dynasty, 14th century. Height: 9.2 cm, Diameter: 11.4 cm. C.324 Given by Lady Orchardson. © V Images.

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