Due dame veneziane e caccia in laguna - Carpaccio
16Th Century, Italian Renaissance, Dame Venezian, Art, Museo Correr, Vittor Carpaccio, Platform Shoes, Venetian Lady, Terraces
Vittore Carpaccio, Two Venetian Ladies, Museo Correr, Venice.
CARPACCIO, Vittore (1472-1526) Two Venetian Ladies c. 1510 Oil on wood, 94 x 64 cm Museo Correr, Venice Carpaccio portrays two ladies relaxing in the cool atmosphere of a garden, surrounded by a marble balustrade. The women wearing robes with immodest décolleté are sitting on a terrace where Venetian women usually bleached their hair. Their coiffure was popular in Venice at the beginning of the 16th century: curls combed on the forehead and wig on top of the head.
Two Venetian Ladies,circa 1490--1510?-The very high waist is typical of Venice. Note the chopines or platform shoes to the left. As with other similar pictures, historians argue as to whether these are patrician ladies or courtesans.
Carpaccio (Venice, ca1400-1500) ~ Two Venetian Ladies on a Terrace (Due dame veneziane e caccia in laguna) ~ formerly known as Two Courtesans ~ In quest’opera si confrontano due scene: le due dame che attendono su una loggia in primo piano e sullo sfondo una scena di caccia. Il quadro è ricco di dettagli e, nei colori, risente dell’influenze della scuola veneziana.
Historically Accurate Reference: 6. The Italian Renaissance: The ladies are wearing typical venetian high waisted gowns with high soled chopines. Ca. 1510.
Autoritratto allo specchio - Parmigianino
Kunsthistorisch Museums, Self Portraits, Art Style, Mirror Parmigianino 2503 1540, Fine Art, Vienna Austria, Art Italiana, Allo Specchio, Convex Mirror Parmigianino
parmigianino. self portrait 1540. Many mirrors were curved.
Self-portrait in a Convex Mirror,- Parmigianino
Parmigianino (Italian, Mannerist painter, 1503–1540): Self-Portrait in a convex Mirror, c. 1523-24. Oil on poplar wood, diameter 24.4 cm. Kunsthistorisches Museum, Vienna, Austria.
Riflessioni di un affamato - Emilio Longoni
Art Secret, Longoni 1894, Art Ll, Longoni Emilio, Art Collection, Art Bazaars, Emilio Longoni, Hungry Man, Riflessioni Di
"Reflections of a Hungry Man" by Emilio Longoni (1894)
Riflessioni di un affamato Emilio Longoni (1859-1932) Reflections of a Hungry Man 1894
Longoni Emilio. Reflections of a Hungry Man, 1894
Ritratto femminile con maschera - Rosalba Carriera
Female Portraits, Rosalba Carriera, Con Maschera Jpg, Masks, Carriera Rosalba, 18Th Century, Femminil Con, Rococo Art, Pastel Portraits
Carriera Rosalba - Ritratto femminile con maschera
Rosalba Carriera (1675–1757) Title Italian: Ritratto femminile con maschera Date 18th century Ooh, and she has a stranded pearl bracelet with a clasp!
Female Portrait with Mask by Rosalba Carriera
Ettore e Andromaca - Giorgio De Chirico
De Chirico, Giorgio De, Modern Art, Oil On Canvas, Abstract Art, Dechirico, 1917, Hector, Painting
Giorgio de Chirico, Abstract Art
Ettore e Andromaca Giorgio #DeChirico oliio, 1917 Central Square ,New York, United States #art #followart #artwit pic.twitter.com/Zo9qo8HQfr
Giorgio de Chirico, Hector and Andromache, 1917 His mother was Genovese and his father was Sicilian, but Giorgio de Chirico was actually born in Volos, Greece, in 1888. De Chirico moved to Paris in 1911, and showed his work at the Salon des Independants in 1913, where it caught the eye (and approval) of Pablo Picasso and Guillaume Apollinaire. Here he sold his first painting. A pre-Surrealist who founded the Scuola Metafisica art movement.
Modern Art Movements: Pittura Metafisica- de Chirico
Giorgio de Chirico Hector and Andromache. 1917. Oil on canvas.
Davide con la testa di Golia - Caravaggio
Art Broken, Art Canvas, Classic Art, Art Inspiration, Stars War, Art History, 1610 Caravaggio, Art Artists, Caravaggio David
https://www.facebook.com/owl.a.bagoly/photos Caravaggio: David with the Head of Goliath (Dávid Góliát fejével) c.1610. Oil on canvas. Galleria Borghese, Rome, Italy ( www.abcgallery.com )
Star Wars Mashed Up With Classic Art » Design You Trust. Design, Culture & Society.
Edera - Tranquillo Cremona
Pittor Dell 800, Dei Maggiori, Esponenti Della, Maggiori Esponenti, Art Speaking, Art Italiana, Tranquillo Cremona, Operation Darts, L Edera
"L'edera". Tranquillo Cremona, 1878; olio su tela, 133x99,5 cm; Galleria civica d'arte moderna e contemporanea, Torino.
Il Quarto Stato - Giuseppe Pellizza da Volpedo
Del Novecento, Quartos Stato, Fourth Estate, Museum, Il Quartos, Pellizza Da, Giuseppe Pellizza, Rooms Dark-Blue, Da Volpedo
Giuseppe Pellizza da Volpedo 1868-1907 The Fourth Estate 1901 Oil on canvas Museo del Novecento at Piazza del Duomo, Milan
The moving Il Quarto Stato by Giuseppe Pellizza da Volpedo, housed at the Museo del Novecento.
Giuditta e Oloferne - Artemisia Gentileschi
Gentileschi Judith, Slay Holofern, Behead Holofern, Artemisiagentileschi, Art History, Judith Behead, Paintings, Judith Slay, Artemisia Gentileschi
I really love art... I really love Renaissance Art... If the economy wasn't the was it is and maybe if I was a younger I would go to school to major in Art History. Artemisia Gentileschi "Judith Slaying Holofemes"
Judith slaying Holofernes. Artemisia Gentileschi. Judith and Artemisia are mirrored saints (Judith beheading Holofernes 1612-13, Artemisia Gentileschi)
Natività - Caravaggio
St. Lawrence, Saint Francis, Caravaggio Native, Art, St. Francis, Michelangelo Merisi, San Lorenzo, Michelangelo Caravaggio, Caravaggio Michelangelo
Geburt Christi mit St Francis und St Lawrence, öl von Caravaggio (Michelangelo Merisi) (1571-1610, Italy)
Michelangelo Caravaggio Nativity with St Francis and St Lawrence *stolen Oct 16, 1969 Palermon, Sicily Probably in someone's private collection in a hidden room. Val $20,000,000.
"Nativity with St. Francis and St. Lawrence" or "The Adoration" by Michelangelo Caravaggio, 1609 (Stolen from the Oratory of San Lorenzo in Palermo, Sicily on October 18, 1969. Current whereabouts unknown; suspected to be destroyed.)
Caravaggio or Michelangelo Merisi o Amerighi da Caravaggio (Italian 1571?–1610) [Baroque] Nativity with St. Francis and St. Lawrence, 1609. Oratorio di San Lorenzo, Palermo.
Caravaggio's Nativity with Saints Francis and Lawrence was stolen from the oratory of San Lorenzo in Palermo in 1969. Despite many appeals from authorities, scholars and art lovers at the time and since, the painting has never been recovered.
La calunnia - Sandro Botticelli
Sandro Botticelli, Florence Italy, Art, Calumni, Calomni Dapel, Uffizi, Sandro Boticelli, The Gallery, La Calunnia
The Calumny of Apelles by Sandro Boticelli 1494
Sandro BOTTICELLI - La Calunnia 1496 - Galleria degli Uffizi, Firenze.
Calumny of Apelles. Calumnia de Apeles. Sandro Botticelli. 1495. Tempera on Panel. 62 X 91 cm. Galleria degli Uffizi. Florence.
Allegory of Calumny: Changing the Canon of Art History
Dama con liocorno - Raffaello Sanzio
Mona Lisa, Italian Renaissance, Rome Italy, Young Women, Baby Unicorns, Art History, Renaissance Art, Monalisa, Galleria Borgh
Famous Renaissance Art | Selection of Italian Renaissance Gown Paintings
"Young Women with Unicorn" by Raphael (1506) Kate style beginning?
I have to add this to my art history lecture. I also need to get a baby unicorn.
'Portrait of Young Woman with Unicorn' (1506) by Raffaello Sanzio da Urbino a.k.a. Raphael. Oil on panel. 65 cm × 61 cm (26 in × 24 in). Location: Galleria Borghese, Rome, Italy. // Notes on this portrait (via Wikipedia): The portrait appears to have been influenced by the well-known work, 'Mona Lisa' (also known by the titles 'La Gioconda' or 'La Joconde,' or 'Portrait of Lisa Gherardini'), painted by Leonardo da Vinci between 1503 and 1506. The work was of uncertain attribution until recent times. In the 1760 inventory of the Galleria Borghese (the painting's past and current location), the subject of the painting was identified as Saint Catherine of Alexandria and attributed to Italian Renaissance painter Pietro Perugino. A restoration of the painting in 1934-36 confirmed art historian Roberto Longhi's hypothesis that the work was actually by Raphael, and the removal of heavy repainting revealed the unicorn, traditionally a symbol of purity in medieval romance, in place of a Saint Catherine's wheel. The breaking wheel, now known as the Catherine wheel, was a torture device used for capital punishment. Legend has it that St. Catherine of Alexandria was sentenced to be executed on one of these devices. The wheel miraculously broke when she touched it; she was then beheaded. Later restoration work on the painting in 1959 revealed the image of a dog, even earlier than the unicorn, also a symbol of fidelity. The identity of the young woman, and the client for whom the work was done, have never been identified. // Found by @RandomMagicTour (https://twitter.com/randommagictour) - Sasha Soren
Bambina in azzurro - Amedeo Modigliani
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Little Girl in Blue Amedeo Modigliani (1918) Private collection Painting - oil on canvas
Amadeo Modigliani, Painting, Oil On Canvas, Art
Santa Lucia davati al giudice - Lorenzo Lotto
Santa Lucia, 237Cmpinacoteca Civica, Lucia Davanti, Lotto Paintings, Lorenzost Lucy, Lucy Altarpiece1532Oil, Lucia Davati, Filelorenzo Lotto, St. Lucy
St. Lucy Altarpiece - St. Lucy Before the Judges - Lorenzo Lotto. 1532. Oil on panel. 243 x 237 cm. Pinacoteca Civica, lesi, Italy.
Santa Lucia davanti al giudice (1532), Pinacoteca Civica di Jesi
Lorenzo Lotto paint, Marche (20 min)
Il bacio - Francesco Hayez
Favorite Things, The Kiss, Francesco Hayez, El Beso, Favorite Paintings, Gustav Klimt, Art Galleries, Thekiss, Il Bacio
Francesco Hayez (1791–1882), The Kiss. Il bacio. 1859. Oil on canvas
The Kiss (El Beso) - (1859). Oil on canvas, by Francesco Hayez. Location: Pinacoteca di Brera, Milan, Italy.
"The Kiss" by Francesco Hayez, 1859. The famous gold leaf painting of the same name by Gustav Klimt, 1908-1909, is presumably based on, or inspired by, this.
Francesco Hayez - The Kiss This is one of MY FAVORITE paintings!
Cristo morto - Andrea Mantegna
Di Brera, Dead Christ, Andrea Mantegna, John Baldessari, Pinacoteca Di, Jesus Christ, Cristo Morto, Art Projects, Andreamantegna
Andrea Mantegna, Cristo morto, 1500 circa, Tempera su tela, cm 66 x 81, Milano, Pinacoteca di Brera
Jesus Christ died for our sins-Remember this!
Andrea Mantegna (Italian c. 1431 – September 13, 1506) | The Lamentation over the Dead Christ, 1490 | Tempera on canvas, 68x81 cm | Pinacoteca di Brera, Milan | Early Renaissance
'Dead Christ' by #AndreaMantegna nella Pinacoteca di Brera
Il Bacino di San Marco con il Bucintoro - Canaletto
Favorite Places, Oil On Canvas, Giovanni Antonio, Art, Riva Deg, La Riva, Venice La, Deg Schiavoni, Antonio Canal
Bridge of Sighs, Venice (La Riva degli Schiavoni) c.1740 by (Giovanni Antonio Canal) Canaletto
View of the Riva degli Schiavoni, Venice: 1730's by Giovanni Antonio Canal (Canaletto) (Toledo Museum of Art, Toledo, Ohio)
The Molo and the Riva degli Schiavoni from the Bacino di San Marco 1740 Oil on canvas, 46,5 x 63 cm Toledo Museum of Art, Toledo, Ohio
Apollo e Dafne - Gian Lorenzo Bernini