Hand built ceramic vessel constructed with paper clay patches (Paula Cullen). Fired later to 1260°C (Cone 8). www.ceramicforms.com

Hand built ceramic vessel constructed with paper clay patches (Paula Cullen). Fired later to 1260°C (Cone 8). www.ceramicforms.com

Jan Lewin-Cadogan. Technical: white stoneware clay. Various barium glazes. Various lava/crater glazes. Glossy deep blue or turquoise stone ware glazes. Fired to 1260 Celsius.

Jan Lewin-Cadogan. Technical: white stoneware clay. Various barium glazes. Various lava/crater glazes. Glossy deep blue or turquoise stone ware glazes. Fired to 1260 Celsius.

June Ridgeway  The work is coil built, burnished and saggar fired. Inspiration is from a number of sources: erosion or weathering, just as the patina of age takes its course over any surface subjected to the elements, so the smoke and the added ingredients placed in the saggar, such as salt, wire, oxides, make their unique marks directly on the satin, burnished surface of the piece.

June Ridgeway The work is coil built, burnished and saggar fired. Inspiration is from a number of sources: erosion or weathering, just as the patina of age takes its course over any surface subjected to the elements, so the smoke and the added ingredients placed in the saggar, such as salt, wire, oxides, make their unique marks directly on the satin, burnished surface of the piece.

These matte black ceramics echo the curved shapes in the wallpaper and have the beautifully imperfect softness of something handmade.

These matte black ceramics echo the curved shapes in the wallpaper and have the beautifully imperfect softness of something handmade.

Ceramics  |  Artist:  © tania rollond 2007 & 2012  |  http://www.taniarollond.com.au

Ceramics | Artist: © tania rollond 2007 & 2012 | http://www.taniarollond.com.au

Valériane Leblond I love how its like a whole neighbourhood of houses and how its colour coded

Valériane Leblond I love how its like a whole neighbourhood of houses and how its colour coded

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