History of Collage
The medium's development from the 1920s to the 1990s
History of Collage
- 25 Pins
Bruno Munari, And Thus We Would Set about Seeking an Aeroplane Woman, 1939
Papiers Papers Collages, Artcollage Illustrations, Illustration Drawing Collage, Magazines Collage, Collages Photomontages, Google Search, Magazine Collage
exquisite corpse magazine collage - Google Search
Raoul Hausmann, Dada Conquers, 1920
Dada Composition, 1920, Raoulhausmann, The Artists, Raoul Hausmann, Collage Art, Mixed Media, Dadaism, Dada Siegt
Tristan Tzara - Biography, DADAism & Poetry - The Art History Archive
"Art is the only serious thing in the world...and the artist is the only person who is never serious."
1920 - RaoulHausmann Raoul Hausmann, "Dada siegt! (Dada Wins!)" 2(1920)
Raoul Hausmann, ABCD, 1923-24
Artists, Style, Raoul Hausmann, Self Portraits, Kurt Schwitters, Fashion Art, Poster, Graphics Design, Collage
ABCD (Self Portrait) by Raoul Hausmann (July 12, 1886 – February 1, 1971). One of the key figures in Berlin Dada, his experimental photographic collages, sound poetry and institutional critiques would have a profound influence on the European Avant-Garde in the aftermath of World War I.
dadaismo e de stijl representados através desta fotomontagem
Raoul Hausmann (July 12, 1886 – February 1, 1971) was an Austrian artist and writer. One of the key figures in Berlin Dada, his experimental photographic collages, sound poetry and institutional critiques would have a profound influence on the European Avant-Garde in the aftermath of World War I.
Kurt Schwitters, collage
Raoul Hausmann, ABCD, 1923-24 'ABCD' by Raoul Hausmann is a typical Dada collage which he described as a 'poster poem'. It is a visual counterpart to the Dada 'sound-poems' that were heard at the 'Cabaret Voltaire'. In 1916 Hugo Ball proclaimed, "I created a new species of verse, 'verse without words', or sound poems...."
Dada Graphic Design
Johannes Baader, Homage to Gutenberg, 1919
D Art Modern, French Artists, Gutenberggedenkblatt, Dada Art, Collage Inspo, Dadaists Johannes, Baader Gutenberg, German Artists, Honorary Portraits
johannes baader gutenberg gedenkblatt
Johannes Baader, Collage A, Sous-titre (subtitle) : Gutenberggedenkblatt (Hommage à Gutenberg - Tribute to Gutenberg), 1919, Dessin, Collage, reproduction de photographie et journaux découpés et collés sur papier contrecollé sur carton35,3 x 49 cm, Centre Pompidou, Musée National d’Art Moderne, Paris.
Johannes Baader, Honorary Portrait of Charlie Chaplin, 1919
Paul Citroen, Metropolis, 1923
Century Art, Paul Citroen, Art Inspiration, Bauhaus Art, Collage, 1923 Cut And Paste, Citroen 1923, Graphic Art, Citroen Metropolis
METROPOLIS by Paul Citroen (1923)
This collage by Paul Citroen influenced Fritz Lang and the film, Metropolis.
1. Paul Citroen Metropolis, 1923 Cut-and-pasted photomechanical reproductions on paper Leiden University Library, Special Collections
Top Five: Bauhaus - Art as Life
Erwin Blumenfeld, Metropolis, 1930
Collage Photomontage, Erwin Blumenfeld Jpg, Art Ideas, Blumenfeld 1930, Blumenfeld 1897 1969, Art Deco, Erwinblumenfeld Metropolis, Erwin Blumenfeld Metropolis, Art Art
Metropolis by Erwin Blumenfeld (1930)
Erwin Blumenfeld, Metropolis, 1930.
Erwin Blumenfeld, Men with Head, c. 1920-24
Blumenfeld Archivenobelcollect, Arti Life, Erwin Blumenfeld, Avantgard Art, Dada Art, Artists Boards, Blumenfeld Erwin, Blumenfeld Photomontage, Iheart Artists
Tagged: Erwin Blumenfeld, dada berlin, dadaism, dadaist, dada, art, modern art, political art, ...
Erwin Blumenfeld | photomontage
blumenfeld erwin - Recherche Google
Erwin Blumenfeld archivenobelcollection # Pin++ for Pinterest #
George Grosz, A Victim of Society, later retitled Remember Uncle August, the Unhappy Inventor, oil, pencil, photomontage and collage, 1919
Remember Uncle, Modern Art, 1919, George Grosz, Chest, Uncle August, Collage, Unhappiness Inventor, Der Gesellschaft
George Grosz, Remember Uncle August, the Unhappy Inventor. Ein Opfer der Gesellschaft (Remember Uncle August, the Unhappy Inventor. A victim of society - Souviens-toi de l’oncle Auguste, l’inventeur malheureux. Une vistime de la société.) 1919, Huile, crayon, papiers et cinq boutons collés sur toile, 49 x 39,5 cm, Paris, Centre Pompidou.
artist: George Grosz "Remember Uncle August, the Unhappy Inventor" 1919, collage
Image used with permission of The Museum of Modern Art, New York - © 2006 Estate of George Grosz / Licensed by VAGA, New York, NY
The machine vs. man reminded me of this Dada piece (he's becoming his work, like humans are becoming their technology) - Remember Uncle August, the Unhappy Inventor - George Grosz (1919)
George Grosz. "'Daum' Marries Her Pedantic Automaton 'George' in May 1920, John Heartfield is Very Glad of it." 1920. Berlinische Galerie Museum of Modern Art permanent collection. Mr. Grosz was a prominent member of the Berlin Dada and New Objectivity group during the Weimar Republic before he emigrated to the United States in 1933. Grosz taught at the League from 1932-1955.
George Grosz, Daum marries her pedantic automaton George in May 1920, John Heartfield is very glad of it (Meta-Mech. Constr. after Prof. R. Hausmann), watercolour, pen and ink, and collage, 1920. Collection: Berlinische Galerie Museum of Modern Art
German Art, Berlinisch Galeri, Pedant Automatongeorg, John Heartfield, Daum Married, George Grosz Daum, Painting, Automaton George, De 1920
120 aniversario del nacimiento de George Grosz («Daum se casa con su pedante autómata “George” en mayo de 1920; a John Heartfield le alegra mucho». 1920.) http://www.veniracuento.com/
#robot #transhuman #art #painting #tech #love #modernism #surrealism #20s George Grosz, Daum Marries Her Pedantic Automaton George, 1920.
Max Ernst. The Hat Makes the Man. (1920) Ernst's appreciation for visual and linguistic puns was likely fostered by Freud’s book Jokes and Their Relation to the Unconscious. Here, Ernst cut, pasted, and stacked photographs of men’s hats clipped from a sales catalogue to make phallic towers. This visual pun relates to Freud's identification of the hat—the requisite accessory of the bourgeois man—as a common symbol representing repressed desire...
Max Ernst, The Hat Makes the Man, gouache, pencil, oil, ink and collage, 1920. Collection: MoMA
Maxernst, Hats, Modern But, Men Max, Max Ernst, Art History, Prints Paper, Man, Art Art
The Hat Makes the Man Max Ernst (French, born Germany. 1891–1976) (1920). Gouache, pencil, oil, and ink on cut-and-pasted printed paper on paper, 13 7/8 x 17 3/4"
The Hat Makes The Man by Max Ernst www.davidcharlesfoxexpressionism.com #maxernst #thehatmakestheman #expressionism #expressionistart #expressionist
"The Hat Makes the Man" by Max Ernst. Ernst was an important figure in the dada movement, which often criticized the tastes of mainstream culture and depicted modern man as a conformist automaton. From the page: "This visual pun relates to Freud's identification of the hat—the requisite accessory of the bourgeois man—as a common symbol representing repressed desire, adding new meaning to the cliché inscribed on the work, "C'est le chapeau qui fait l'homme" ("The hat makes the man")."
Max Ernst. The Hat Makes the Man. (1920)
Raoul Hausmann, Tatlin at Home, 1920
Photo Montage, At Home, 1920, Raoulhausmann, Raoul Hausmann, Art, Chest, Collage, Tatlin
collage / photomontage by Raoul Hausmann founding member of the Dada Art Movement
RAOUL HAUSMANN (1886-1971) 'Tatlin at Home', 1920 (collage). Dada was not a style of art like Fauvism or Cubism. It was a form of artistic anarchy born out of disgust for the social, political and cultural establishment of the time which it held responsible for Europe's descent into World War 1.
collage / RaoulHausmann
Raoul Hausmann, Self-portait of the Dadasopher, 1920
Artists, 1920, Strange Art, Dada Collage, Collage Photomontage, Raoul Hausmann, Self Portraits, Dada Art, Contemporary Design
Dada (Collage for the First International Dada Fair in Berlin), 1920. Raoul Hausmann (1886-1971) was an Austrian artist and writer and one of the key figures in Berlin Dada, his experimental photographic collages, sound poetry and institutional critiques would have a profound influence on the European Avant-Garde in the aftermath of World War I.
Raul Hausmmann ●彡 - ❦ www.pinterest.com/WhoLoves/Peculiar ❦ #peculiar #weird #strange #art
Raoul Hausmann - Self Portrait of the Dadasopher, 1920
dada art - Google Search
Raoul Hausmann’s Self-portrait of the Dadasopher, collage- photomontage, 1920.
Raoul Hausmann, Elasticum, 1920
Photo Montage, Galleries, International Dada Mess, Raoul Hausmann, Collage Art, Erst International, Graphics Design, Dada Art, Elasticum 1920
Raoul Hausmann, Elasticum, 1920 #collage #art #Dada #dadaism
A History of Graphic Design: Chapter 45; Dadaism; The meeting point of all contradictions
Raoul Hausmann, Elasticum, 1920, photomontage, collage et gouache sur couverture d’un catalogue d’exposition, 31 x 37 cm, Galerie Berinson, Berlin/UBU Gallery, New York.
Edward Burra, Collage, gouache, pen and ink, pencil and collage, 1930
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Collage of the Week | Edward Burra, Collage 1930
Collage by Edward Burra 1930
Google Image Result for http://www.nationalgalleries.org/media/42/collection/GMA%25203948.jpg
History of Art: Edward Burra
Edward Burra, Keep Your Head, collage and pencil, 1930
Edward Burra, Burra Edward, Homo Art, Head 1930, 1930The Snacks, C 1930Keep, Fine Art, Art Collection, Snacks Bar
Edward Burra, 1905 - 1976. AngleterreCoffee Stall. Verso-Scenes with Figures, c.1930Keep your Head, 1930The Snack Bar, 1...
Edward Burra ‘Keep your Head’, 1930 © The estate of Edward Burra, courtesy Lefevre Fine Art, London
Edward Burra, Composition, 1929
Photographers Collage, Edward Burra, Photomontage Collage, Composition Collage, Collagemix Media, Collage Artists, Mixed Media, Artists Inspiration, 1929
Edward Burra's "Composition Collage"; 1929, collage and ink on paper
Max Ernst, The Gramineous Bicycle, collage and painting, 1921
Maxernst, Gramin Bicycles, Bicycles Garnishing, Dapple Fire, Max Ernst, The Bicyclett, Belle, Fire Damp, Echinoderm Bend
Max Ernst, La bicyclette graminée garnie de grelots les grisons grivelés et les échinodermes courbants/échine pour quêter des caresses (The Gramineous Bicycle Garnished with Bells the Dappled Fire Lamps and the Echinoderms Bending/the Spine to Look for Caresses), 1920-21, Gouache et encre sur reproduction – 74,30 x 99,70cm, The Museum of Modern Art, New York, Etats-Unis © Adagp, Paris 200
Max Ernst | The Gramineous Bicycle Garnished | 1921 davidcharlesfoxexpressionism.com #thegramineousbicycylegarnished #maxernst #oiloncanvas #expressionism
Max Ernst, The Gramineous Bicycle Garnished with Bells the Dappled Fire Damps and the Echinoderms Bending the Spine to Look for Caresses, 1921
Max Ernst, Hydrometric Demonstration, collage and gouache, 1920
Art Stuff, Artists, Art Junk, Max Ernst, Dada Art, Hydrometr Demonstrations, Ernst Max, Techniques Collage, Art Forever
Page: Hydrometric Demonstration Artist: Max Ernst Completion Date: 1920 Place of Creation: Cologne / Cöln / Köln, Germany Style: Dada Period: Early works Genre: still life Technique: collage, gouache Material: paper Gallery: Galerie Jacques Tronches,
Hannah Höch, On the Nile II, 1940
Nil Ii, Collage Art, Nile Ii, Mixed Media, Posts, Chest, Hannah Hoch, Hannah Höch, Hanna High
Hannah Höch – At Nile II, 1940
Hannah Hoch, On the Nile II, 1940
Hannah Höch, 1940 ( dada collage)
Hannah Höch - Am Nil II 1940 (Private Collection)
Ketterer Kunst, Kunstauktionen, Buchauktionen München, Hamburg & Berlin
Hannah Höch, Cut with the Dada Kitchen Knife through the Last Weimar Beer-Belly Cultural Epoch in Germany, 1919
Modern Art, Kitchens Knives, Kitchen Knives, Kitchens Knifes, Hannah Hoch, Culture Epoch, Hannah Höch, Weimar Beer Belly, Hannahhoch
"Cut with a Kitchen Knife through the Last Weimar Beer Belly Cultural Epoch of Germany." Hanna Hoch. Dada. Image used with permission of The Museum of Modern Art, New York
Cut with the Kitchen Knife Dada through the Last Weimar Beer Belly Cultural Epoch of Germany- Hannah Hoch, 1919-20
Hannah Höch; "Cut with the Kitchen Knife Dada through the Last Weimar Beer Belly Cultural Epoch of Germany", 1919. Medium: collage of pasted papers, 90 x 144 cm. | While the Dadaists "paid lip service to women's emancipation," they were clearly reluctant to include a woman among their ranks. Hans Richter described Höch's contribution to the Dada movement as the "sandwiches, beer and coffee she managed somehow to conjure up despite the shortage of money."
Hannah Höch, From the Collection: From an Ethnographical Museum, 1929
From A, Modern Art, Einem Ethnographischen, Ethnograph Museums, From The, Der Sammlung, Hannah Hoch, Hannah Höch, Ethnographischen Museums
#Höch #art - Aus der Sammlung: Aus einem ethnographischen Museum (From the Collection: From an Ethnographic Museum), 1929, Collage and gouache on paper, 26x17.5cm, Scottish National Gallery of Modern Art, Edinburgh Bequeathed by Gabrielle Keiller, 1995
Hannah Hoch. Aus der Sammlung: Aus einem ethnographischen Museum [From the collection: From an ethnographical museum]
Aus der Sammlung: Aus einem ethnographischen Museum [From the collection: From an ethnographical museum], Hannah Höch
Hannah Höch, Flight, 1931
Collagen Art, Artists Models, Collage Collection, Mixed Media, Chest, Hannah Hoch, Whitechapel Galleries, Artyfarti Things, Hannah Höch
Hannah Höch #dada
Dada Photomontage Hannah Hoch Hannah hch flucht flight
Hannah Hoch – Whitechapel Gallery London Exhibition http://www.justaplatform.com/hannah-hoch-london-exhibition/
Raoul Hausmann. The Art Critic 1919-20. Hausmann, a founder member of the Berlin Dada group, developed photomontage as a tool of satire and political protest. The fragment of a German banknote behind the critic’s neck suggests that he is controlled by capitalist forces. The words in the background are part of a poem poster made by Hausmann to be pasted on the walls of Berlin.
Raoul Hausmann, The Art Critic, 1919-20