History of Collage
The medium's development from the 1920s to the 1990s
History of Collage
- 25 Pins
Bruno Munari, And Thus We Would Set about Seeking an Aeroplane Woman, 1939
Dada Collage, Illustration Drawing Collage, Collage Art, Collages Photomontages, Google Search, Artcollage Illustration, Collage Master, Collage 1 0
exquisite corpse magazine collage - Google Search
bruno munari - Google Search
Raoul Hausmann, Dada Conquers, 1920
1920, Raoulhausmann, Raoul Hausmann, Collage Art, Mixed Media, Art History, Artist, Dada Siegt
Dada Siegt ( 1920 ) by Raoul Hausmann: Hausmann was one of the most prominent Dadaist photocollage artists
Raoul Hausmann Austrian, 1886–1971 Ein bürgerliches Präcisionsgehirn ruft eine Weltbewegung hervor (A Bourgeois Precision Brain Incites World Movement) (later known as Dada siegt [Dada Triumphs]), 1920
Raoul Hausmann, Dada Siegt, 1920, Source: http://www.artchive.com/artchive/h/hausmann/dada_siegt.jpg.html
1920 - RaoulHausmann Raoul Hausmann, "Dada siegt! (Dada Wins!)" 2(1920)
Raoul HAUSMANN. DADA Siegt. collage. 1920. 60 X 43. collection privée.
Tristan Tzara - Biography, DADAism & Poetry - The Art History Archive
collageoftheweek: Raoul Hausmann, Dada siegt [Dada Triumphs] 1920
Raoul Hausmann, Dada Siegt, 1920 - dada and surrealism
iconic #collage #artist Raoul Hausmann 1920 #art
Raoul Hausmann, ABCD, 1923-24
Photo Montage, Raoul Hausmann, Art, Mixed Media, Chest, Collage, Design
ABCD (Self Portrait) by Raoul Hausmann (July 12, 1886 – February 1, 1971). One of the key figures in Berlin Dada, his experimental photographic collages, sound poetry and institutional critiques would have a profound influence on the European Avant-Garde in the aftermath of World War I. (Collages)
Created By DaDa. Hannah Höch, Dompteuse (Tamer), 1930 Photomontage with collage elements. I like his work because he is using different type of textures like newspaper, magazine and such as many styles of art and mixing up words that people can't read what so ever and putting typography in it to make it more interesting to look at.
RAOUL HAUSMANN (1886-1971) 'ABCD' 1920 (collage) "ABCD' by Raoul Hausmann is a typical Dada collage which he described as a 'poster poem'."
Le Dadaïsme : Raoul Hausmann ("ABCD") Mélange tous les arts, remise en question des règles, des significations. Collages, photomontages, laisse place au hasard.
Raoul Hausmann, ABCD (self-portrait), a photomontage from 1923–24 - Dada - Wikipedia, the free encyclopedia
Raoul Hausmann, ABCD, 1923-1924, Photomontage et collage : encre de Chine, reproduction de photographie et imprimés découpés, collés sur papier, 40,5 x 28,5, Paris, Centre Pompidou-Musée national d’art moderne.
---Walter Benjamin recognized the importance of Dada when he wrote in 'The Work of Art in the Age of Mechanical Reproduction' that when authenticity ceases to be an important part of making art, "the total function of art is reversed. Instead of being based on ritual it begins to be based on another practice, politics." --- Collage by Raoul Hausmann Image:http://www.johnvalentino.com/Teaching/Art190/Projects/190Proj2/Dada.html
Artist: Raoul Hausmann. Photomontage - mixed media and content. Surreal, out of the ordinary.
Dada Graphic Design
Johannes Baader, Homage to Gutenberg, 1919
Collage Mixed Media Assemblage, Collage Painting, D Art, Collage Inspo, Collage 1 0
Johannes Baader: Collage A: Gutenberggedenkblatt (Hommage à Gutenberg - Tribute to Gutenberg), 1919 - Dessin, Collage, reproduction de photographie et journaux découpés et collés sur papier contrecollé sur carton (Centre Pompidou, Musée National d’Art Moderne, Paris)
Paul Citroen, Metropolis, 1923
Articles, Life, Bauhaus Art, Collage, 1923 Cut And Pasted, Citroen 1923, Metropolis Art
This collage by Paul Citroen influenced Fritz Lang and the film, Metropolis.Tomorrow sees the opening of the ‘Bauhaus - Art as Life’ exhibition at the Barbican centre in London, which - along with showing rare, and previously unseen Bauhaus products and images in the UK - offers a presentation of designs ranging from furniture to paintings, and also encompasses film events, talks, and workshops.
1. Paul Citroen Metropolis, 1923 Cut-and-pasted photomechanical reproductions on paper Leiden University Library, Special Collections
This makes me want to get back into making art from 'Bauhaus - art as life' on Dazed digital
Collage by Paul Citroen influenced Fritz Lang and the film, Metropolis.- bauhaus
1. Paul Citroen Metropolis, 1923 Cut-and-pasted ph
Dazed Digital | Top Five: Bauhaus - Art as Life
METROPOLIS by Paul Citroen (1923)
Paul Citroen - Metropolis, 1923
collage by Paul Citroen
Top Five: Bauhaus - Art as Life
Erwin Blumenfeld, Metropolis, 1930
Collage Photomontage, Dada Art, Art Ideas, Erwin Blumenfeld Jpg, Blumenfeld 1930, Art Deco, Erwin Blumenfeld Metropolis, Arte Art
Metropolis by Erwin Blumenfeld (1930)
Erwin Blumenfeld, Metropolis, 1930.
Witz gegen Dünkel - Jüdische Gemeinde zu Berlin
Erwin Blumenfeld, Men with Head, c. 1920-24
Photographers, Photo Montage, Graphic, Artists Pads, Erwin Blumenfeld, Art Design, Collage
#ART | #arthistory | #artist | Erwin Blumenfeld (was a renowned photographer whose work is situated between 1930 and 1969. He was born in Berlin on 26 January 1897, moved to Holland late 1918, and started a professional career in photography in 1934)
Blumenfeld Erwin http://theworldofphotographers.com/2011/10/13/blumenfeld-erwin-1897-%E2%80%93-1969-photographer/
Menschen mit Kopf by Erwin Blumenfeld, 1920. Collage on paper. Kunstmuseum St.Gallen).
Erwin Blumenfeld, Menschen mit Kopf, Collage on paper. Kunstmuseum St.Gallen, 1920.
¤ Erwin Blumenfeld, Menschen Mit Kopf - Humans With Brains, photomontage, 1921
Erwin Blumenfeld. Menschen mit Kopf. 1920. Collage on paper ●彡
Erwin Blumenfeld - Fotomontaje (1921) #dada
Erwin Blumenfeld : Menschen mit Kopf, 1920.
Erwin Blumenfeld | photomontage
George Grosz, A Victim of Society, later retitled Remember Uncle August, the Unhappy Inventor, oil, pencil, photomontage and collage, 1919
Remember Uncle, Art, 1919, Google Search, George Grosz, Chest, Collage, Uncle August
Image used with permission of The Museum of Modern Art, New York - © 2006 Estate of George Grosz / Licensed by VAGA, New York, NY
"Remember Uncle August, the Unhappy Inventor" by George Grosz. Check out Bake Your Heart Out for inspired recipes and crafts! http://www.bakeyourheartout.ca/2014/07/art-remember-uncle-august-unhappy.html
George Grosz, Remember Uncle August, the Unhappy Inventor. Ein Opfer der Gesellschaft (Remember Uncle August, the Unhappy Inventor. A victim of society - Souviens-toi de l’oncle Auguste, l’inventeur malheureux. Une vistime de la société.) 1919, Huile, crayon, papiers et cinq boutons collés sur toile, 49 x 39,5 cm, Paris, Centre Pompidou.
George GROSZ. Remember Uncle August, the Unhappy Inventor. Ein Opfer der Gesellschaft, Photomontage, 1919
George Grosz (1893–1959) A Victim of Society. Remember Uncle August, the Unfortunate Inventor 1919
artist: George Grosz "Remember Uncle August, the Unhappy Inventor" 1919, collage
Grosz, Remember Uncle August, 1919, Dada
George Grosz - Google Search
DOCUMENTS DADA: GEORGE GROSZ (III)
George Grosz. "'Daum' Marries Her Pedantic Automaton 'George' in May 1920, John Heartfield is Very Glad of it." 1920. Berlinische Galerie Museum of Modern Art permanent collection. Mr. Grosz was a prominent member of the Berlin Dada and New Objectivity group during the Weimar Republic before he emigrated to the United States in 1933. Grosz taught at the League from 1932-1955.
George Grosz, Daum marries her pedantic automaton George in May 1920, John Heartfield is very glad of it (Meta-Mech. Constr. after Prof. R. Hausmann), watercolour, pen and ink, and collage, 1920. Collection: Berlinische Galerie Museum of Modern Art
1920, John Heartfield, Daum Marries, George Grosz, George Penny, Painting, Automaton George, Pedantic Automaton
#robot #transhuman #art #painting #tech #love #modernism #surrealism #20s George Grosz, Daum Marries Her Pedantic Automaton George, 1920.
Daum Marries Her Pedantic Automaton George in May 1920, John Heartfield is Very Glad of It. Watercolor & Collage. George Grosz was a German artist known especially for his satirical drawings of Berlin life in the 1920s. He was a prominent member of the Berlin Dada and New Objectivity group during the Weimar Republic before he emigrated to the United States in 1933.
Grosz, George - Daum Marries Her Pedantic Automaton George in May 1920, John Heartfield is Very Glad of It
George Grosz (1893-1959): Daum marries her pendantic automaton ,George' in May 1920. John Heartfield is very glad of it - 1920
George Grosz, “Daum” marries her pedantic automaton “George” in May 1920, John Heartfield is very glad of it, 1920, Watercolor and collage. Galerie Nierendorf, Berlin.
'Daum' marries her pedantic automaton 'George' in May 1920, John Heartfield is very glad of it (meta-mechanical construction after Professor R. Hausmann), George Grosz, 1893-1959.
George Grosz, “Daum” marries her pedantic automaton “George” in May 1920 Внедрение в иллюстрацию фантастических роболюдей, пейзажи города - усиливает гротесковость образов, мелкие детали фото - делают картинку более реальной и правдоподобной
George Grosz (German, American 1893–1959) [Dada, Neue Sachlichkeit] Daum Marries Her Pedantic Automaton George in May 1920, John Heartfield is Very Glad of It. 1920. Watercolor and collage. 42 x 30.2 cm. Galerie Nierendorf, Berlin, Germany.
Max Ernst. The Hat Makes the Man. (1920) Ernst's appreciation for visual and linguistic puns was likely fostered by Freud’s book Jokes and Their Relation to the Unconscious. Here, Ernst cut, pasted, and stacked photographs of men’s hats clipped from a sales catalogue to make phallic towers. This visual pun relates to Freud's identification of the hat—the requisite accessory of the bourgeois man—as a common symbol representing repressed desire...
Max Ernst, The Hat Makes the Man, gouache, pencil, oil, ink and collage, 1920. Collection: MoMA
Maxernst, Hats, Surrealism, Max Ernst, Collage, Ernst Max, Artist, Man 1920
The Hat Makes The Man by Max Ernst www.davidcharlesfoxexpressionism.com #maxernst #thehatmakestheman #expressionism #expressionistart #expressionist
The Hat Makes the Man is a collage by the German dadaist/surrealist Max Ernst (1920). It is composed of cut out images of hats from catalogues linked by gouache and pencil outlines to create abstract anthropomorphic figures.
Vladimir Kush of Russia must have been highly influenced by artist Salvador Dalí. Vladimir states, "Art school was a world of a new inspiration. The class I attended allowed total artistic freedom. I learned much about the famous Renaissance painters, impressionists, post-impressionists, and contemporary artists. Here I painted my first surreal picture.”
Max Ernst, The Hat Makes The Man, 1920, collage, gouache, pencil and ink on paper, 35,2x45,1 cm (Museum of Modern Art, New York)
The Hat Makes the Man by Max Ernst. 1920. Gouache and pencil on cut-and-pasted printed paper on board with ink inscriptions
Max Ernst - The Hat Makes the Man, 1920. Gouache, pencil, oil, and ink on cut-and-pasted printed paper on paper. MOMA NY
The Hat Makes the Man (1920) | Max Ernst (French, born Germany. 1891–1976) | Gouache, pencil, oil, and ink on cut-and-pasted printed paper on paper, 13 7/8 x 17 3/4"
The Hat Makes the Man (1920) collage by dadaist/surrealist Max Ernst. It is composed of cut out images of hats from catalogues linked by gouache and pencil outlines to create abstract anthropomorphic figures. There are inscriptions in ink that read "seed-covered stacked-up man seedless waterformer ('edelformer') well fitting nervous system also tightly fitting nerves! (the hat makes the man) (style is the tailor)."
Ernst, Max (1891-1976) - 1920 The Hat Makes the Man - MoMA
Max Ernst. The Hat Makes the Man. (1920)
Raoul Hausmann, Tatlin at Home, 1920
Photo Montage, At Home, 1920, Raoulhausmann, Raoul Hausmann, Art, Chest, Collage
RAOUL HAUSMANN (1886-1971) 'Tatlin at Home', 1920 (collage). Dada was not a style of art like Fauvism or Cubism. It was a form of artistic anarchy born out of disgust for the social, political and cultural establishment of the time which it held responsible for Europe's descent into World War 1.
Raoul HAUSMANN. Tatlin lebt zu Hause, 1920. Photomontage et aquarelle, 41 x 28, Stockholm, Moderna Museet.
Tatlin lebt zu Hause * Tatlin at home / Tatline chez lui] 1920. Photomontage and aquarelle Raoul Hausmann -
Raoul Hausmann, Tatlin at Home, 1920. Dadaist were the first to exploit the medium of photomontage to its full potential.
Raoul Hausmann, Tatlin lebt zu Hause (Tatlin at home), 1920. Photomontage with watercolor.
Dada Collage & Photomontage by Raoul Hausmann | Art & Artists | PaperStreet Supplies
collage / photomontage by Raoul Hausmann founding member of the Dada Art Movement
Raoul Hausmann, Tatlin at Home, photomontage, 1920
collage / RaoulHausmann
Raoul Hausmann, Self-portait of the Dadasopher, 1920
Artists, 1920, Dada Collage, Collage Photomontage, Raoul Hausmann, Dada Movement, Dada Art
THIS IMAGE IS PROMOTING DADA ART, BUT THE IMAGE IS JUST OF RANDOM OBJECTS STUCK OVER THE TOP OF A PERSONS BODY, WHICH IS FITTING CONSIDERING THAT IT IS TO REPRESENT DADA. ALL THE COLOURS USED ARE AROUND THE SAME TONE OR SHADE, ALL RATHER DARK, SO THERE IS NOTHING THAT REALLY STANDS OUT, OTHER THAN THE STRANGENESS OF THE ENTIRE IMAGE. http://gdf2007.blogspot.com.au/2007/05/dada_16.html
Raoul Hausmann was one of the founding members of the Dada movement in Berlin. His artistic interests were varied and eclectic, including photomontage (which he claims to have invented), painting, collage, poetry, design, sculpture, a smattering of science, music, and more.
Dadaism with a little surrealism. I like this for it's unique and imaginative look, and it's something i try to include within my own work.
Dada (Collage for the First International Dada Fair in Berlin), 1920. Raoul Hausmann (1886-1971) ) was an Austrian artist and writer and one of the key figures in Berlin Dada, his experimental photographic collages, sound poetry and institutional critiques would have a profound influence on the European Avant-Garde in the aftermath of World War I.
Raoul Hausmann. Dada Self-portrait, 1920. Hausmann was but one of many key figures in Berlin Dada...[and thank dada movement for sweet inspiration for modern day collage.]
“Self-portrait of the Dadasopher”, collage-photomontage, 1920 Austrian artist and writer Raoul Hausmann (1886-1971)
Raoul Hausmann’s Self-portrait of the Dadasopher, collage- photomontage, 1920.
Raoul Hausmann - Self Portrait of the Dadasopher, 1920
Raoul Hausmann, Elasticum, 1920
Graphic Design, Photo Montage, Raoul Hausmann, Collage Art, Google Search, Dada Art, Mixed Media, Elasticum 1920
Raoul Hausmann, Elasticum, 1920, photomontage, collage et gouache sur couverture d’un catalogue d’exposition, 31 x 37 cm, Galerie Berinson, Berlin/UBU Gallery, New York.
Raoul HAUSMANN. Elasticum, 1920. Photomontage, collage et gouache sur couverture d'un catalogue d'exposition, 31 x 37
Dadaism - Raoul Hausmann, Elasticum, 1920. Photomontage and collage with gouache on the cover of Erste Internationale Dada-Messe
Raoul Hausmann, Elasticum, 1920 (Photomontage and collage with gouache on the cover of Erste Internationale). Dada-Messe 12 2/8 x 14 4/8 inches (31 x 37 cm)
A History of Graphic Design: Chapter 45; Dadaism; The meeting point of all contradictions
R. HAUSMANN collageoftheweek: Raoul Hausmann, Elasticum 1920
Raoul Hausmann, Elasticum, 1920 #collage #art #Dada #dadaism
raoul hausmann photomontage - Google Search
dada art 1920 - Google Search
DOCUMENTS DADA: RAOUL HAUSMANN (IV)
Edward Burra, Collage, gouache, pen and ink, pencil and collage, 1930
Art Edward Burra, Burra 1930, Collages, Artists Close, Collages Collagistes, Burra Collage, Collage 1930, Edward Bura, Art 10
Racecourse Collage 1930 by Edward Burra (British 1905-1976)
Collage of the Week | Edward Burra, Collage 1930
Collage by Edward Burra 1930
Edward Burra, Collage, 1930
Edward Burra Collage
History of Art: Edward Burra
Edward Burra, Keep Your Head, collage and pencil, 1930
Burra British, Head 1930, C 1930Keep, Art Collection, Burra Collage, 1930The Snack
Edward Burra, 1905 - 1976. AngleterreCoffee Stall. Verso-Scenes with Figures, c.1930Keep your Head, 1930The Snack Bar, 1...
Edward Burra ‘Keep your Head’, 1930 © The estate of Edward Burra, courtesy Lefevre Fine Art, London
Keep your Head 1930 by Edward Burra (British 1905-1976)
Edward Burra, 'Keep Your Head', 1930.
Keep your Head 1930
Edward Burra, 'Keep your Head' 1930
Edward Burra, Composition, 1929
Mixedmedia, Art Collage, Collages, Artist, 1929, Burra Collage, Collage Mixed Media
‘Shock of the News,’ on Artists and Newspapers - NYTimes.com -- check out exhibition catalog as well...artists using newspaper
Exquisite Corpse: Edward Burra, Composition Collage, 1929, collage and ink on paper, Private collection.
Collaging on layer masks makes things much easier for the collager who likes to change their mind! - Edward Burra - Composition Collage, 1929.
Edward Burra ~ Composition Collage, 1929 (collage, ink)
Composition Collage, 1929. // Edward Burra
Edward Burra - 1929. Composition Collage,
Edward Burra, Composition Collage, 1929
Edward Burra Collage Composition 1929
E.L.T. Mesens, Mask to Injure Aesthetes, 1929. Collection: The J. Paul Getty Museum, Los Angeles
Injurier Les, 1929, Masque Servant
E.L.T. Mesens, Mask to Injure Aesthetes, 1929. Collection: The J. Paul Getty Museum, Los Angeles. Mesens is the leader of the Belgian surrealist movement, critic and close friend of Magritte.
E.L.T. Mesens, Masque servant à injurier les esthètes (Mask to Injure Aesthetes), 1929. Involved in the avant-garde from his teenage years, Mesens befriended Magritte in his native Brussels and Satie, Man Ray, Duchamp, Picabia and Brancusi in Paris. He become a conduit between Dada and Surrealist scenes in these cities and London. Writer, curator and collector, he helped assure Magritte’s fame and hung the UK's first International Surrealist Exhibition in 1936.
E.L.T Mesens - “Masque servant à injurier les esthètes” - 1929
E.L.T. Mesens, Mask to Injure Aesthetes, 1929.
E.L.T. Mesens - 1929
Max Ernst, The Gramineous Bicycle, collage and painting, 1921
Maxernst, Bicycles, Max Ernst, Art, Gramineous Bicycle, Bicycle Garnished, Dappled Fire, Fire Damps, Echinoderms Bending
Max Ernst, The Gramineous Bicycle Garnished with Bells the Dappled Fire Damps and the Echinoderms Bending the Spine to Look for Caresses, 1920, Museum of Modern Art, New York,
Max Ernst | The Gramineous Bicycle Garnished | 1921 davidcharlesfoxexpressionism.com #thegramineousbicycylegarnished #maxernst #oiloncanvas #expressionism
Max Ernst (French, born Germany, 1891-1976). The Gramineous Bicycle Garnished with Bells the Dappled Fire Damps and the Echinoderms Bending the Spine to Look for Caresses, ca. 1921.
The Gramineous Bicycle Garnished with Bells the Dappled Fire Damps and the Echinoderms Bending the Spine to Look for Caresses Max Ernst (French, born Germany. 1891–1976) (c. 1921). Gouache, ink, and pencil on printed paper on paperboard, 29 1/4 x 39 1/4"
The Gramineous Bicycle Garnished with Bells the Dappled Fire Damps and the Echinoderms Bending the Spine to Look for Caresses - Max Ernst 1920
Max Ernst, The Gramineous Bicycle Garnished with Bells the Dappled Fire Damps and the Echinoderms Bending. This piece clearly suggest cell morphology.
Max Ernst | Mitosis in the cells of a gramineous (grassy plant) specimen, combined with machine parts, while the inscription, "The gramineous bicycle garnished with bells the dappled fire damps and the echinoderms bending the spine to look for caresses" lends sexual connotations to the hairs, orifices, and protrustions of these microorganisms.
Max Ernst: Profile in Collage
Max Ernst, The Slug Room, collage, gouache, tempera and ink, 1920
1920, Artists Max, Max Ernst, Max Earnst, Ernst Max, Art Surrealism, Slug Room
Max Ernst. Le Limaçon de chambre. 1920. Tempera, goache, ink, pencil, collage on paper.
The slug room by Max Ernst, 1920 (Thx Candy FK)
max ernst collage - Google Search
Max Ernst. Le Limaçon de chambre.
The Slug Room by Max Ernst, 1920
Max Ernst - The Slug Room - 1920
Max Ernst - Anónimo de Piedra
Max Ernst, Hydrometric Demonstration, collage and gouache, 1920
1920, Surrealism, Illustration, Hydrometric Demonstration, Art Max Ernst, Chest, Collage, Ernst Max, Demonstration Artist
Page: Hydrometric Demonstration Artist: Max Ernst Completion Date: 1920 Place of Creation: Cologne / Cöln / Köln, Germany Style: Dada Period: Early works Genre: still life Technique: collage, gouache Material: paper Gallery: Galerie Jacques Tronches,
archives-dada: Max Ernst, Démonstration hydraulique à tuer par la température, 1920
Hydrometric demonstration of how to kill by temperature- Max Ernst, 1920.
Max Ernst: Démonstration hydraulique à tuer par la température, 1920.
Archives Dada, Max Ernst, Démonstration hydraulique à tuer par la...
Hydrometric Demonstration, Dada, Collage/gouache - Max Ernst, 1920
Hydrometric Demonstration 1920 Max Ernst Cordis Artis : Photo
Hydrometric Demonstration, 1920 - Max Ernst
Hannah Höch, On the Nile II, 1940
Nil Ii, Collage Art, Nile Ii, Mixed Media, Hannah Hoch, 1940, Hannah Höch, Hanna High
Hannah Höch (1889 Gotha - 1978 Berlin, Germany)At Nile II, 1940 Collage http://www.nomad-chic.com/
amare-habeo: Hannah Höch (1889 Gotha - 1978 Berlin, Germany)At Nile II, 1940 Collage
Hannah Höch - Am Nil II 1940 (Private Collection)
Hannah Höch - At Nile II, 1940. very interesting.
Hannah Höch, At Nile II (On the Nile), 1940.
HANNAH HöCH | Hannah Hoch, 1940
Ketterer Kunst, Kunstauktionen, Buchauktionen München, Hamburg & Berlin
Hannah Höch, Cut with the Dada Kitchen Knife through the Last Weimar Beer-Belly Cultural Epoch in Germany, 1919
Kitchen Knives, Art, Collage, Hannah Hoch, Hannah Höch
Hannah Hoch (1889-1978) 'Incision With The Dada Kitchen Knife Through Germany's Last Weimar Beer Belly Cultural Epoch' 1920 (Collage) art
Hannah Hoch, Cut with the Kitchen Knife Dada Through the Last Weimar Beer Belly Cultural Epoch of Germany, 1919-20. Photomontage
Cut with the Kitchen Knife Dada through the Last Weimar Beer Belly Cultural Epoch of Germany- Hannah Hoch, 1919-20
Color 3: Hannah Höch, 'Incision With The Dada Kitchen Knife Through Germany's Last Weimar Beer Belly Cultural Epoch'. Collage of earth colors (somber colors).
Cut with the kitchen knife Dada through the last Weimar Beer Belly Cultural Epoch of Germany 1919 Hannah Hoch Photomontage #dada #photomontage
Hannah Hoch, Cut with the Kitchen Knife Dada through the Last Weimar Beer Belly Cultural Epoch of Germany, 1919-1920, Dada The Berlin section of Dada reflects that this city pioneered the then new medium of photomontage, in the context of an overtly political tone
Hannah Höch- "Schnitt mit dem Kuchenmesser Dada durch die erste Weimarer Bierbauchkulturepoche Deutchlands (Cut With the Kitchen Knife Through The Last Weimar Beer Belly Cultural Epoch) 1919
HANNAH HÖCH 1919–1920: Cut with the Kitchen Knife Dada through the Last Weimar Beer Belly Cultural Epoch of Germany Photomontage 3’ 9” x 2’ 11 1/2”
Hannah Höch; "Cut with the Kitchen Knife Dada through the Last Weimar Beer Belly Cultural Epoch of Germany", 1919. Medium: collage of pasted papers, 90 x 144 cm. | While the Dadaists "paid lip service to women's emancipation," they were clearly reluctant to include a woman among their ranks. Hans Richter described Höch's contribution to the Dada movement as the "sandwiches, beer and coffee she managed somehow to conjure up despite the shortage of money."
Hannah Höch, From the Collection: From an Ethnographical Museum, 1929
From A, Art, Collage, From The, Hannah Hoch, Hannah Höch
Hannah Höch, Aus der Sammlung: Aus einem ethnographischen Museum (Photomontage, gouache on paper with collage elements), 1925-1929.
Aus der Sammlung: Aus einem ethnographischen Museum (From the Collection: From an Ethnographic Museum) 1929 Collage and gouache on paper 26 x 17.5 cm Scottish National Gallery of Modern Art, Edinburgh Bequeathed by Gabrielle Keiller, 1995
Artist Hannah Höch: armed and dangerous From the series, From an Ethnographic Museum, 1929 Scottish National Gallery of Modern Art
Hannah Höch Aus der Sammlung: Aus einem ethnographischen Museum (De la colección: el Museo Etnográfico), 1929 Collage sobre papel (adición y transformación)
Hannah Höch, 'Aus der Sammlung: Aus einem ethnographischen Museum (From the Collection: From an Ethnographic Museum) ,' 1929, Whitechapel Gallery
Aus der Sammlung: Aus einem ethnographischen Museum [From the collection: From an ethnographical museum]
Hannah Höch, Aus der Sammlung.. Aus einem ethnographischen Museum (From the collection.. From an ethnographical museum), 1929, Collage and gouache on paper, 26 x 17.5 cm
Hannah Hoch. Aus der Sammlung: Aus einem ethnographischen Museum, 1929.
Hannah Höch, Flight, 1931
Flucht Flight, Artists, Google Search, Mixed Media, Collage, Hannah Hoch, 1931, Hannah Höch
Lesson 1 | "Flucht" by Hannah Höch | 1931 | An example of a simple, cohesive collage created by a German artist.
Hannah Höch 2014 Exibition, London. Flucht (Flight), 1931, Photomontage, 23 x 18.4 cm, Collection of IFA, Stuttgart
Flight (1931) by Hannah Höch. Höch was an avant-garde artist involved in the Dada mouvement. Some works, like this, feel oddly self-contained, disengaged from the outside reality.
Hannah Höch collage at the current Whitechapel Gallery retrospective, 15 January - 19 March, 2014.
Hannah Hoch: Flucht (Flight), 1931, Collage, 23x18.4cm, Collection of IFA, Stuttgart Note the "o" in Hoch should have an umlaud. It does not because Pinterest has a nerfed charset. If the charset used does have the capacity to properly spell names of Germanic or any other non-English origin, I would appreciate knowing how it is done. Seeing as I have wasted some time on this problem this morning, I am letting it go. But hey... Dada right?
Artist Hannah Höch: armed and dangerous Whitechapel Gallery from 15 January to 23 March
From Whitechapel Gallery, Hannah Höch, Flucht (Flight) (1931), Collage, 23 × 18.4 cm
Hannah Höch, 'Flucht (Flight) ,' 1931, Whitechapel Gallery
hannah hoch collage - Google Search
Raoul Hausmann. The Art Critic 1919-20. Hausmann, a founder member of the Berlin Dada group, developed photomontage as a tool of satire and political protest. The fragment of a German banknote behind the critic’s neck suggests that he is controlled by capitalist forces. The words in the background are part of a poem poster made by Hausmann to be pasted on the walls of Berlin.
Raoul Hausmann, The Art Critic, 1919-20