Lyudmila Belova A.

Lyudmila Belova A.

Initial from 'Deutsche Märchen seit Grimm' [German Folktales since Grimm], artist F. H. Ernst Schneidler (1882-1956)
Lyudmila Belova A.
More ideas from Lyudmila
The Master of the Annunciation to the Shepherds (active c.1620-1640), 'The sense of hearing: A man playing a lute', Oil on canvas, 104.6x79.2 cm

The Master of the Annunciation to the Shepherds (active c.1620-1640), 'The sense of hearing: A man playing a lute', Oil on canvas, 104.6x79.2 cm

Maître de l'Annonce aux bergers (?),  Tête de Vieillard lisant, XVIIe; Huile sur toile, 53.6x41 cm © musée des beaux-arts de Quimper

Maître de l'Annonce aux bergers (?), Tête de Vieillard lisant, XVIIe; Huile sur toile, 53.6x41 cm © musée des beaux-arts de Quimper

Maître de l'Annonce aux Bergers, "Prophète en buste lisant", Naples, première moitié du 17e siècle, Huile sur toile, 73x56 cm © Musée des Beaux-Arts-mairie de Bordeaux. Cliché L. Gauthier

Maître de l'Annonce aux Bergers, "Prophète en buste lisant", Naples, première moitié du 17e siècle, Huile sur toile, 73x56 cm © Musée des Beaux-Arts-mairie de Bordeaux. Cliché L. Gauthier

Maître de l'Annonce aux Bergers, (XVIIe siècle), Jésus parmi les docteurs, Huile sur toile, 97.5x127.5 cm | Nantes, musée des Beaux-Arts

Maître de l'Annonce aux Bergers, (XVIIe siècle), Jésus parmi les docteurs, Huile sur toile, 97.5x127.5 cm | Nantes, musée des Beaux-Arts

Bernardo Cavallino – Immacolata, 1647, Oil on canvas, 165x115 cm | Pinacoteca di Brera, Milano

Bernardo Cavallino – Immacolata, 1647, Oil on canvas, 165x115 cm | Pinacoteca di Brera, Milano

Bernardo Cavallino (1616–1656) /// Tefaf - Biennale di Firenze - Mint - Arte Antica - Galleria Silvano Lodi

Bernardo Cavallino (1616–1656) /// Tefaf - Biennale di Firenze - Mint - Arte Antica - Galleria Silvano Lodi

Giovanni Benedetto Castiglione – Noah's Sacrifice after the Deluge, 1650/55  | LACMA Collections

Giovanni Benedetto Castiglione – Noah's Sacrifice after the Deluge, 1650/55 | LACMA Collections

Follower of Giovanni Benedetto Castiglione – Christ Appearing to St Mary Magdalen, c. 1660-1700; Dark brown, blue, green, and white oil paint on paper | Royal Collection Trust

Giovanni Benedetto Castiglione - Christ Appearing to St Mary Magdalen

Giovanni Benedetto Castiglione – Crucifixion with the Virgin, Saints John and Mary Magdalene, and God the Father, c. 1651; Brush and brown oil paint with touches of blue, red and white | Clark Art Institute

Giovanni Benedetto Castiglione – Crucifixion with the Virgin, Saints John and Mary Magdalene, and God the Father, c. 1651; Brush and brown oil paint with touches of blue, red and white | Clark Art Institute

Giovanni Benedetto Castiglione (called il Grechetto), St. Mark, 1650s, Brown and red-brown paint with blue, pink, and white gouache | LACMA Collections

Giovanni Benedetto Castiglione (called il Grechetto), St. Mark, 1650s, Brown and red-brown paint with blue, pink, and white gouache | LACMA Collections

Giovanni Benedetto Castiglione (Il Grechetto) (1609–1664), Noah Entering the Ark,  1609–64, Brush with red and brown oil paint | The Metropolitan Museum of Art

Giovanni Benedetto Castiglione (Il Grechetto) (1609–1664), Noah Entering the Ark, 1609–64, Brush with red and brown oil paint | The Metropolitan Museum of Art

Giovanni Benedetto Castiglione (Il Grechetto) (1609–1664), Fantastic Subject: Five Nude Male Figures Punishing Another, 1609/64, Pen and dark brown ink | The Metropolitan Museum of Art

Giovanni Benedetto Castiglione (Il Grechetto) (1609–1664), Fantastic Subject: Five Nude Male Figures Punishing Another, 1609/64, Pen and dark brown ink | The Metropolitan Museum of Art

Workshop of Carlo Cignani (1628-1719), Two Boys with Two Satyrs (Study for "The Triumph of Venus"), c. 1678-1679 | Harvard Art Museums

Workshop of Carlo Cignani (1628-1719), Two Boys with Two Satyrs (Study for "The Triumph of Venus"), c. 1678-1679 | Harvard Art Museums

Carlo Cignani (1628-1719), Zwei fliegende Putti, Öl auf Leinwand, 68x52 cm

Carlo Cignani (1628-1719), Zwei fliegende Putti, Öl auf Leinwand, 68x52 cm

The Master of the Annunciation to the Shepherds (active in Naples, first half of the 17th century), The Annunciation to the Shepherds, Oil on canvas, 127x180.3 cm

The Master of the Annunciation to the Shepherds (active in Naples, first half of the 17th century), The Annunciation to the Shepherds, Oil on canvas, 127x180.3 cm

Gaspare TRAVERSI (1722-1770), La Séance de portrait, around 1750 | Dijon, musée Magnin

Gaspare TRAVERSI (1722-1770), La Séance de portrait, around 1750 | Dijon, musée Magnin