Young Ladies Fashions 1756-1781
This board is a representative of fashions that could have been worn by Maria Anna Mozart, older sister of Wolfgang Amadeus Mozart, who came of age in this time period.
Young Ladies Fashions 1756-1781
- 31 Pins
Maria Anna, gen. Nannerl, Mozart als Kind, 1763, Pietro Antonio Lorenzoni (?) (artist, Italian, 1721-1782), Stiftung Mozarteum Salzburg collection www.mozarteum.at/...
Maria Anna Mozart, Mozart Al, Mariaanna Mozart, Http Www Mozarteum At En Html, Peter Antonio, Marianne Mozart, Antonio Lorenzoni, 1765 Pietro, Mozart Sisters
Portrait Painting of Maria Anna Mozart sister of Wolfgang Amadeus Mozart by unknown artist
Maria Anna Mozart, ca. 1765 (Pietro Antonio Lorenzoni) (1721-1782) Location TBD
Marianne Mozart, Wolfgang's Sister.
Maria Anna (Nannerl) von Berchtold zu Sonnenburg, geb. Mozart, 1785, artist unknown, Stiftung Mozarteum Salzburg collection www.mozarteum.at/...
Nee Mozart, Older Sisters, Wolfgang Sisters, Artists Unknown, Anna Nannerl, Mozart Extravaganza, Amadeus Mozart, Places, Nannerl Mozart
Maria Anna (Nannerl) von Berchtold zu Sonnenburg, nee Mozart. Artist: Anonymous. Year, Place: 1785, Salzburg, Austria
Maria Anna Mozart (1751-1829) was the older sister of Wolfgang Amadeus Mozart. She was noted as an excellent harpsichord player and forte pianist and also toured the country with her brother as a child prodigy, sometimes receiving top billing. However, when she reached marriageable age she was no longer permitted to continue her career. The siblings were very close, and as children they invented a secret language and an imaginary "Kingdom of Back" of which they were king and queen.
Nannerl Mozart, Wolfgang's sister and just as talented.
Family Portrait: Maria Anna ("Nannerl"), Wolfgang, Anna Maria (medallion) and Leopold Mozart, ca. 1780, Johann Nepomuk della Croce (artist, Austrian, 1736-1823), Stiftung Mozarteum Salzburg collection www.mozarteum.at/...
Maria Anna, Mozart Mothers, Mozart Families, Classic Music, Johannes Nepomuk, Amadeus Mozart, Flats Major, Families Portraits, The Cross
▶ W. A. Mozart - KV 240 - Divertimento for winds in B flat major - YouTube
You only THOUGHT you were listening to "Classical Music." Liz defines three major musical genres in the latest blog.
Mozarts family portrait: Maria Anna ("Nannerl"), Wolfgang, Anna Maria (medallion) and Leopold Mozart. Painting by Johann Nepomuk della Croce. (Wikimedia)
Wolfgang Amadeus Mozart -The Mozart family c. 1780. The portrait on the wall is of Mozart's mother. Wikipedia, the free encyclopedia
Portrait de Wolfgang Amadeus Mozart (Salzbourg, 1756-Vienne, 1791) jouant à Paris avec son père Jean-Georg-Léopold et sa sœur Maria-Anna, 1763, Louis Carrogis Carmontelle (artist, French 1717-1806), Musée Condé, CAR 418
Music, Some Piano, Paris, Mozart Families, Portraits De, Wolfgang Amadeus, Lessons Plans, Mozart Enfant, Amadeus Mozart
Louis Carrogis Carmontelle (1717-1806) - Portrait de Wolfgang Amadeus Mozart (Salzbourg, 1756-Vienne, 1791) jouant à Paris avec son père Jean-Georg-Léopold et sa sœur Maria-Anna - Drawing, 1763
Mozart enfant jouant du piano in Paris c. 1763 by Carmontelle
MOZART FAMILY VISITS VERSAILLES December 1763 - January 1764: the visit of Mozart, the child prodigy, to the court of Versailles.The Mozart's playing some music. Leopold at the violin, Wolfgang at the harpsichord, and Maria Anna singing.
Mozart music appreciation lesson plan online
Wolfgang Amadeus Mozart - Wikipedia, the free encyclopediaThe Mozart family on tour: Leopold, Wolfgang, and Nannerl. Watercolor by Carmontelle, ca. 1763
Detail robe à l'Anglaise in a polonaise style, England, c. 1774. Gold silk taffeta, lined with linen. The back is in 'English' style, with an extra double fold at the centre back. The skirt is organ pleated onto a concave waist seam. There is a self covered button at each side back seam to which the pink cords inside the dress can be attached forming a polonaise.
Gown, ca. 1774, British, V&A Given by Miss A. Maishman T.104-1972
Silk Taffeta, Polonais Gowns, Polonai Gowns, Historical Costumes, Century Clothing, 18Th Century, English Gowns, Hands Sewn, 1700 S
1774, England - Gown - Silk taffeta and linen, hand woven and hand sewn, backed with silk
American Duchess: Bright-Ass Yellow 18th Century English Gowns
Stays, 1770-1780, British, V&A, Given by the family of the late Mrs Jane Robinson T.192-1929
Linens Twill, Era Clothing, Red Wool, 18Th Century Stay, Corsets, V A Search, 1770 1780 Stay, Glaze Linens, Silk Ribbons
Stays (corset), English, 1770-1780. Made with wool backed with linen or canvas, stitched with linen thread reinforced with strips of whalebone, lined with glazed linen, bound with linen twill tape, fastened with plain weave linen tapes and decorated with silk braid and silk ribbon. Stays were an essential item of underwear for women during the 18th century. By the 1780s, the fashionable torso consisted of an inverted cone shape. Achieving smoothness of profile and firmness of contour were the...
This image showcases the painstakingly stitched seam lines and boning channels of a set of 18th century stays, accentuated by the use of piping in a contrasting colour.
Red wool stays, back lacing, English 1770-1780. Wool backed with linen or canvas, stitched with linen thread reinforced with strips of whalebone, lined with glazed linen, bound with linen twill tape, fastened with plain weave linen tapes and decorated with silk braid and silk ribbon.
Portrait of a student in the Empress School for Noble Maidens Ekaterina Ivanovna Nelidova, 1773, Dmitry Grigorievich Levitzky (artist, Russian 1735-1822), State Russian Museum www.rusmuseum.ru/...
Student, Schools, Art, Aprons, 18Th Century, Dmitri Levitzki, Portraits, Ivanovna Nelidova, Masquerades Customs
Isis' Wardrobe: Variations of a theme, recurring masquerade costumes
Pretty portrait of Miss (or Mrs.?) Nelidova, by Dmitry Levitsky, 1773. Love the apron!
Dmitry Levitzky: Portrait of a student of the Empress School for Noble Maidens Ekaterina Ivanovna Nelidova. 1773.
"Ekaterina Ivanovna Nelidova" by by Dmitry Levitzky, 1773. #Georgian #1700s #painting #classic #art
Stomacher, mid-18th century, French, LACMA Collections, Gift of Mrs. Gabriella K. Robertson and Mrs. Marlene P. L. Toeppen (63.2.5)
Bruststecker, 1750S, Art, Century Accessories, Century Details, 18Th Century, 1730 1769, Century Fashion, 18 Century
Stomacher, mid 18th century,
Mid-18th century French Stomacher at the Los Angeles County Museum of Art, Los Angeles
Robe à la Française, 1760-1780, French, LACMA Collections M.56.1.1
La Francai, Close Robes, Lacma Collection, Floral Patterns, Leaf Patterns, 1700S, Historical Costumes, Warped Patterns, Robes France
PLOOI Sack-Back Closed Robe France, 1760-1780 Costumes; principal attire (entire body) Silk plain weave with supplementary warp patterning; silk woven-braid trim
Rococo Fashion from 18th century ball gown dress Robe a la Francaise circa from 1760-1780. Sack Back Closed Robe Historical costume made from silk with plain weave flower floral pattern, fabric gather as flounce decorated with woven braid trim and tulle lace on the matching stomacher bodice, sleeve and also on the skirt and the petticoat.
Sack-Back Closed Robe | LACMA Collections
Detail back view, robe à la francaise (sack-back gown), France, 1760-1780. Striped salmon-coloured brocaded silk. A white leaf pattern is woven into the fabric and as well as floral sprays in various colours.
Sack-Back Closed Robe
Robe à la Française, 1760-1780, French, LACMA Collections M.56.1.1
Wedding Dressses, Clothing Patterns, The Angel, Historical Clothing, 1700S, 18Th Century, Victorian Era, Century Dresses, 1700 S
18th Century Women's Clothing Patterns | THE BEST COMMENTS أفضل تعليق: Clothing throughout the Times
Wedding Dress, 1700s
France, Sack-Back Closed Robe, 1760-1780 (love victorian era clothes)
18th Century Dresses | 18th century costumes at the Los Angeles County Museum of Art
Woman’s Jacket (caraco), ca. 1760, LACMA M.2007.211.3 Woman's Petticoat, ca. 1785, LACMA M.2007.211.708
Women Jackets, Women'S Jackets, Historical Fashion, 1700S, About 1760, 18Th Century, Jackets Caraco, 1700 S, About 1780
Woman’s Jacket (caraco) Europe, circa 1760, altered circa 1780 Costumes; principal attire (upper body) Silk plain weave with supplementary warp patterning a) Jacket center back length: 19 in. (48.26 cm) Purchased with funds provided by Suzanne A. Saperstein and Michael and Ellen Michelson, with additional funding from the Costume Council, the Edgerton Foundation, Gail and Gerald Oppenheimer, Maureen H. Shapiro, Grace Tsao, and Lenore and Richard Wayne (M.2007.211.3)
Woman's Jacket (caraco), ca. 1760, European, silk plain weave. "Caracos and other jackets like it were worn as informal dress in the 18th century. The caraco in particular emerged in the 1760s as a modification on the short gowns worn by working class women, but my guess is that they would subsequently have been adopted by the middle class as a more practical alternative to the longer gowns."
A blog on historical fashion, this particular pin on the history of the stomacher (and how to wear it)
Woman’s Jacket (caraco) | LACMA Collections
Collection of English Original Watercolor Drawings, 1774-1807, Ann Frankland Lewis (artist, British, mid-17th-mid-18th century), LACMA, AC1999.154.1-.32
Originals Watercolour, Watercolour Drawings, Plates 1770S, Ladies Fashion, Fashion Plates, Drawings England, Watercolor Drawing, English Originals, Century Fashion
LACMA, fashion plate 1770s
Collection of English Original Watercolor Drawings (England, 1774-1807)
Collection of English Original Watercolor Drawings Alternate Title: Collection of English Original Watercolour Drawings Ann Frankland Lewis (England, mid-17th to mid-18th century) England, 1774-1807
Robe à la Française, ca. 1770, French with Chinese export textile, Colonial Williamsburg, Acc. No. 1993-330, a-b
Ivory Ribs, China Silk, Paintings Silk, Silk Gowns, 1761 1770 Georgian Women, Century Women, 18Th Century, 1770S Inspiration, Century Fashion
Petticoat matching painted Chinese silk gown, ca. 1770. France, made from Chinese export silk. Hand-painted ribbed silk; plain silk tabby in serts. Petticoat matching a woman's gown of ivory ribbed silk, hand-painted in scrolling floral and leaf design. Pleated waist. Side pocket slits and center back slit opening. Portions of upper back and sides are different cream-colored silk tabby fabric, unpainted.
Beautiful painted silk gown. I don't recall where it came from.
Polonaise Gown, 1770-1785, British, Colonial Williamsburg Acc. No. 1983-233
Colonial Polonai Dresses, Historical Stuff, Fashion History, Clothing Style, 1770S Women, Colonial America, Colonial Williamsburg, Colonial Dresses, 18Th Century
great source for 18th c. clothing styles
18th Century Women's Clothing | This gown is one of Colonial Williamsburg's and was originally ...
Colonial Williamsburg Online Collections
The Music Party, 1774, Louis Rolland Trinquesse (ca. 1745-1800), Alte Pinakothek, www.pinakothek.de...
Bachelorette Parties, White Fashion, Music Parties, Rolland Trinquess, 18Th Century, Satin Dresses, Louis Rolland, Ribbons Rosette, Music Lessons
18th century painting
My bachelorette party w. male stripper
Aussiegirl Side view of a frock of 1774 shows pleated robings and striped ribbon rosettes.
The Music Party, Louis Rolland Trinquesse, 1774.
Beautiful Ivory Satin Dress
Portrait of a Young Woman in Powder Blue, ca. 1777, George Romney (artist 1734-1802), Private Collection
Fergus Hall, Oil Paintings, Master Paintings, Young Women, 18Th Century, Portraits, George Romney, Blue Art, Powder Blue
blue art french portrait | Portrait of a Young Woman in Powder Blue, ca. 1777.
Portrait of a Young Woman in Powder Blue, ca. 1777. by George Romney, English portrait painter of the late 18th century Source: Fergus Hall Master Paintings. (via 18th century blog)
Robe à la Française, 1760-1765, British, Victoria & Albert Museum, T.426&A-1990
Victoria Albert Museums, 17601765 Floral, Linens, Petticoats 1760S, 18Th Century, 1760 1765, Hands Sewn, Sacks Back Gowns, 1760 65
1760 - 1865 Sack Back Gown & Petticoat made of Silk & Linen - Hand Woven & Hand Sewn
Robe à la Française 1760-1765 The Victoria Albert Museum
Sack-back gown and petticoat 1760s
Sack-back gown and petticoat | V&A Search the Collections
Side Hoop (Panniers) 1778, British, Victoria & Albert Museum, Given by Mr and Mrs R. C. Carter, T.120-1969
Side Hoop, Chanel Handbags, Women Underwear, Petticoats, 18Th Century, Women'S Underwear, Red Shorts, Panniers, Albert Museums
Woman's underwear, 1778
2-11-11 Side hoop 1778 Women’s underwear served two purposes in the 18th century. The first function, carried out by the shift or smock, was to protect the clothing from the body, in an age when daily bathing was not customary. Made of very fine linen, the shift was the first garment put on when dressing. Over the shift went the linen stays, heavily reinforced with strips of whalebone. Their purpose was to mould the torso to the fashionable shape and provide a rigid form on which the gown could be arranged and fastened. The hoops were also made of linen and stiffened with whalebone or cane. They shaped the petticoat of the gown to the appropriate silhouette. At various times during the 18th century, this profile varied from round, to square and flat, to fan-shaped.
1778 British Side hoop at the Victoria and Albert Museum, London - From the curators' comments: "The hoops were also made of linen and stiffened with whalebone or cane. They shaped the petticoat of the gown to the appropriate silhouette. At various times during the 18th century, this profile varied from round, to square and flat, to fan-shaped."
Side hoop | A Schabner | V&A Search the Collections
The family of the Duke of Penthièvre called la tasse de chocolat, 1768, artist Jean-Baptiste Charpentier le Vieux (French, 1728-1806), Palace of Versailles en.chateauversail...
De Chocolate, Fashion 17561781
La Princesa de Lamballe con la familia de su marido---La taza de chocolate ---
Panniers, ca. 1750, British, MMA, Purchase, Irene Lewisohn Bequest, 1973, 1973.65.2
British Currently, Currently Linens, Historical Fashion, Periodic Costumes, 18Th Century, Fashion Looks, Art History, 1750 British, Metropolitan Museums
Eighteenth-Century Silhouette and Support | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art
Panniers ca. 1750 British Tan Linen and Baleen Arthistoryresources.net The Metropolitan Museum of Art
1. a) Panniers from the 18th century.
Stays, late 18th century, British, MMA, Gift of Mrs. F.D. Millet, 1913, 13.49.1
British Medium, Met Museums, 18Th Century Stay, Corsets Inspiration, Antiques Corsets, Century Clothing, Late 18Th, Art Fashion, Metropolitan Museums
Stays Date: late 18th century Culture: British Medium: silk
Metropolitan Museum of Art Stays late 18th century British silk L 18 1/2" x 13" Accession Number 13.49.1
late 18th century, stays
1780-1800c, Met Museum (13.49.1)
Maria Josefa de Lorena, Archduchess of Austria, ca. 1767, artist Anton Raphael Mengs (German 1728-1779), Museo Nacional del Prado, P02186
Anton Raphael, Maria Josepha, Maria Theresa, Archduchess Maria, Prado Museum, 18Th Century, Mary Antoinette, Raphael Clicking, Austria
Anton Raphael Mengs : Archduchess Maria Josepha of Austria... sister of Marie Antoinette, 1767
Anton Raphael Mengs (1728-1779) –– Maria Josepha of Austria, daughter of Maria Theresa of Austria and Francis I, Holy Roman Emperor, 1767: The Museo del Prado, Madrid, Spain (762×1024)
Maria Carolina of Austria, Queen of Naples, ca. 1768, artist Anton Raphael Mengs (German 1728-1779), Museo Nacional del Prado, P02194
Anton Raphael, Sisters, Naples, Queen, Maria Theresa, Maria Carolina, 18Th Century, Mary Antoinette, Raphael Clicking
18th century bodice
Maria Carolina of Austria, Queen consort of Naples, sister to Marie Antoinette. Portrait by Anton Raphael Mengs (c.1768-1775).
A portrait of Maria Carolina of Austria by Anton Raphael Mengs. Maria Carolina was a daughter of Maria Theresa and one of Marie Antoinette’s closest sisters.
Museo Nacional del Prado: Galería online
Stays, third quarter 18th century, American, MMA, Brooklyn Museum Costume Collection at The Metropolitan Museum of Art, Gift of the Brooklyn Museum, 2009; Robert B. Woodward Memorial Fund, 1921, 2009.300.2961a, b