Vocabulário Ortográfico Comum da Língua Portugu...
Salgueiro Maia e o então Alferes Maia de Loureiro. Para que a História não esqueça, com Alferes Maia de Loureiro, Salgueiro Maia e Capitão Tavares de Almeida. Foto de Carlos Pinto
Almeida, April, Freedom, Carlos, 25
25 de Abril, Alfredo Cunha
OEA vai investigar caso Herzog Leia em http://ocdoabc.com.br/2012/03/30/oea-vai-investigar-caso-herzog/
Vladimir, Caso Herzog, 40 Years, Years Of
Rádio Base: Cultura lembra 40 anos da morte de Vladimir Herzog...
BLOG O MALHETE: MORTE DE VLADIMIR HERZOG COMPLETA 40 ANOS
Quem foi Vladimir Herzog | #ditadura #politica #Brasil
Vladimir Herzog – Wikipédia, a enciclopédia livre
Internet Site, Website, Web Site
Portuguese Language, Brazilian Portuguese, Portuguës Le
Viagem pela língua portuguesa - SIC Notícias - ...
Ensina — plataforma de conteúdos multimédia: Po...
UE Serviço das Publicações — Código de Redação Interinstitucional — Abreviaturas e símbolos #Português
Greener Anti, Code Of, Portuguese Language, Attract Shipping, Fouling Solutions
Sinde Filipe diz "O meu olhar é nítido como um girassol " de Alberto Caeiro ("O guardador de rebanhos"). -PAU 2014-
Alberto, Anarquista Completo, As A
Cupide Lâche, Ignorant Assassin, Portuguese Language, Range, Assassin Paranoïaque, Paranoïaque Cupide, The Truth
mostrengo, FERNANDO PESSOA (1888-1935). Poem from Mensagem (from MENS AGitat molEM), a very unusual XX century book: symbolist epic with 44 poems in 3 Cycles: the first, Brasão (Coat-of-Arms), relates historical protagonists to Portuguese coat-of-arms. Second, Mar Português (Portuguese Sea), references the country's Age of Exploration and its Empire, ended with the death of King Sebastian. The third Cycle, Encoberto (The Hidden One), the most disturbing, refers PESSOA's vision of a future world.
Person, Arms Second, Book Symbolist, Portuguese, Arms Relates, 1935 Poem, Century Book, Country
Pessoa - Mostrengo - Luís Miguel Cintra e João Villaret
descoberta, SEBASTIÃO DA GAMA (1924-52). Was a professor in Lisbon. His work is connected to the Serra da Arrábida, the mountain where he lived and that took as poetic leitmotiv. His posthumous diary is an interesting testimony of his experience as a teacher and a valuable reflection on teaching. Died of renal tuberculosis, which he suffered from a teenager.
Vénus II, CAMILO PESSANHA (1867-1926). Since he had the talent of re-writing his works from memory and the habit of giving his poems to close friends, many of his poems had either become lost or inadvertently destroyed. To counter this, Ana de Castro Osório urged PESSANHA to place them in a single volume, published as Clepsidra (1920). At first influenced by Cesário and Verlaine, Pessanha became the most pure of Symbolists. His poems greatly influenced the Orpheu group from Sá-Carneiro to Pessoa
Poem Speaks, Experimental Poetry, Poems Revealed, Poems, Portuguese Poetry, Poetry Boards, City Poems
Caixinha de Música, de Matilde Rosa Araújo, in Poemas de Bibe, por Mário Viegas e Manuela de Freitas
os meus poemas, RAUL DE CARVALHO (1920-1984). Sill close of neo-realism in the 40s, co-directed the magazine Árvore in the 50s. During this decade writes some of its most significant titles, strongly influenced by PESSOA. His remarkable outpouring of lyricism hides a secret gesture constantly pushing the loneliness of man to a point that is somewhere in the universe. He is the other half of the endless CAMPOS. Received the International Prize of Siena.
coral, SOPHIA (1919-2004). “Poetry,” she explains, “is my understanding with the universe, my way of relating to things, my participation in reality, my encounter with voices and images. That is why the poem speaks not of an ideal life but of a concrete one: the angle of a window, the resonance of streets, cities and rooms, the shade cast by a wall, a sudden face, the stars’ silence, distance and brightness, the night’s breathing, the scent of the linden and of oregano.”
Portugal futuro, RUY BELO (1933-78). His first book reflects the catholicism of early adulthood. It earned him the title of ‘religious poet’. Far from being literary expressions of a doctrinaire creed, those poems revealed a man for whom faith was a complex position accompanied by metaphysical reflection and self-examination. Although the faith disappeared, reflection persisted. So did the melancholy, quasi-religious tone, as if he were still searching for the adamically lost paradise.
ritual da chuva, HERBERTO HELDER (1930). His poetry is very visual, has connections with Surrealism, still his style is difficult to define; he did experimental poetry and some call him an orphic or visionary poet. Considered one of the most important living poets, his poetry is not yet enough studied by academics due to the obscurity of his personality itself (he refuses to take literary prizes or have media exposure) and the complexity of his paradoxal work that has a strange enchantment.
de tarde, CESÁRIO VERDE (1855-86). Hailed as both one of the finest urban poets and one of the greatest describers of the countryside. Thus, CESÁRIO’s poems (always alexandrines) splits into “city” and “countryside”. City poems are often bohemian, decadent and socially aware. He is Portugal’s first great realist poet, frequently dealing with scenes of poverty, disease, moral decay, spleen and ennui. While the city is corrupt and decaying, the countryside is lively, fertile and full of beauty.
Raul de Carvalho - Os meus poemas - Mário Viegas
minha cabeça estremece, HERBERTO HELDER (1930). One of the most important names in the contemporary literature. He transformed translation into a fundamental exercise of his work, giving a new dimension to both activities. Was closely linked to vanguards, but his momentum achieves a greater freedom by the singular poetic world he creates. In spite of his brilliant trajectory, has stepped back from limelights, refusing interviews, awards and events, dedicating himself exclusively to his work.
Portuguese Poetry, Agrada Herberto, Interviews Awards
Minha cabeça estremece - Herberto Hélder // Rodrigo Leão
Herberto Hélder - Minha cabeça estremece
Nausica: M'agrada Herberto Helder
Minha cabeça estremece - Herberto Hélder // Rodrigo Leão
tu estás aqui, RUY BELO (1933-1978). He treats impermanence, childhood, ocean, woman and death, all inextricably tied: ocean and woman embodying the infinite embrace sought by the poet who mourns the lost omnipotence of his infant imagination and the lostness of his rapidly passing life, ultimately embraced by death. Awareness of death, not merely as an end but as a gradual existential expropriation, runs through his poems, which attempt to confer transcendence on some of that life draining away
Belo Tu, Portuguese Language, Infant Imagination
Ruy Belo - "Tu estás aqui" - YouTube
Ruy Belo - "Tu estás aqui"
Poesia de Ruy Belo
o sentimento de um ocidental, CESÁRIO VERDE (1855-86). The Feeling of a Westerner is the greatest Portuguese poem of nineteenth century, The narrator wanders through Lisbon’s older neighborhoods as the evening falls and gives way – by the fourth section – to the “dead hours” of night. Many of CESÁRIO’s poems, set in rural outskirts, are at clear light of day, but here he visits Lisbon’s nocturnal side, to “show and examine what’s real”, to “seek and attain the perfection of things”.
Portuguese Poem, Feeling, Poems Set
a nau catrineta, ROMANCEIRO. Compilation of romances from portuguese oral tradition. A treasure of great poetic richness begun to be collected around 1820 by Almeida Garrett. In the introduction, he points the need to "study our early poetic sources, verse and prose legends, fables and old beliefs, [.. .] the tone and spirit of true Portuguese, in the great national book, which is the people and their traditions". Among the more beatiful are also Adozinda, Bernal, Bela Infanta, Santa Iria.